Got some amazingly exciting news to launch this week off with. Yeah, I count Wednesday as the beginning of the week as it’s New Comic Book Day! (It’s the same way the New Comics Year ends and starts again with every San Diego Comic Con in July). So every Wednesday, I actually am now in the habit of checking for both new print and digital releases and sure enough, we’ve got some downloadable gems this week. In fact, we’re rolling out Frank Miller’s seminal work , The Dark Knight Returns. This is the book that brought me back into comics when I was in college and truly inspired me to become a comic book illustrator and is a must have for every Comics Cognoscenti.

What makes it even more special is that we are offering it up through our very own DC Digital Comics Store!

Yep, you heard that right. We’re thrilled today to announce the opening of our brand new DC Comics storefront. What does the latest development to our ongoing Digital Publishing Initiative mean for you, the ever-devout DC Comics fan? Well, for one--it’s going to allow you all the ability to purchase and download comics from your desktop and laptop computers from our very own website. And because we want to make the purchasing, storage and management of your comics digital library as easy and convenient as possible, we’ve made sure that our storefront is powered by comiXology which means if you buy a DC digital comic like the chart-busting Death of Superman on your Mac or PC at home, you can read the very same series on-the-go using your iPhone, iPad or laptop using our DC App without paying any a penny more or creating any new logins. Or vice versa.

We call it convergence. You will find it simply easy.

And you know what? Given the proliferation of digital comics apps, mobile devices and platforms, I know as a consumer of digital comics that I appreciate that kind of convenience. And as a Co-Publisher who finds time to catch up on his comics reading while on-the-go, I love the fact that I can carry around not just the latest digital issue of The Authority, one of my favorite all time comics, but my entire DC digital collection on any one of the devices I schlep with me to the far corners of the earth. And we’ve made many of the first issues of these great series free in commemoration of today’s news.

So check out what’s available for download this week--we run the gamut from Vertigo’s ground-breaking Transmetropolitan by Warren Ellis and Darick Robertson to Grant Morrison’s The Invisibles to the DCU’s outstanding Identity Crisis series by novelist Brad Meltzer and artist Rags Morales. It really is an embarrassment of riches and honestly, we have many, many internal discussions about what we should be rolling out next...should it be material from our classic archives or more recent tales of our iconic characters or the works of DC’s greatest creators? In cases such as writer Brian Azzarello who’s best known for his riveting Vertigo opus 100 Bullets but also for his poignant take on the Man of Steel in Superman: For Tomorrow, we couldn’t choose between the two and ran with both to celebrate the launching of our new storefront. But please, sound off on our Facebook page and be heard—at the end of the day, we really do strive to make the DC Digital Offerings reflect not just the very best works of DC Comics but what YOU, the reader, wants out of very your own DC Digital Comics Experience!

Over on THE SOURCE, The DCU is celebrating 75 years of DC Comics by revealing a bunch of amazing variant covers. But these aren’t just any variant covers, they are of some of the most classic and iconic images from DC’s illustrious history re-imagined by some of the biggest names in the industry.

Well, GRAPHIC CONTENT couldn’t just sit back, so, along with THE SOURCE and THE BLEED, we’re all taking a look back today. We’ve asked some of our current writers and artists to pick their favorite DC COMICS cover, be it from the DCU, Vertigo or Wildstorm and tell us what it means to them.

So, without further ado, let’s read what they have to say!

My favorite cover would be ANIMAL MAN #5. Grant Morrison's early Vertigo work blew my mind in a way no comic ever had. And this issue of ANIMAL MAN, and this cover in particular, are perfect examples of the craziness and irreverence that inspired me to wanna write comics of my own. –Jason Aaron, writer SCALPED

Ronin Book One - Frank Miller. The comic shop was small and dark, located in the mall's basement, and this book, high up on the wall in the back, kept calling out to my 10-year-old brain. The color and design promised something strange and new, and when my older brother finally bought it, it didn't disappoint. For me, comics couldn't just be about superheroes any more. --Cliff Chiang, artist NEIL YOUNG’S GREENDALE

My fave is this or any other Basil Wolverton cover for PLOP Magazine from the 1970s (though Sergio Aragones designed the boarder images). I bought every issue of this title JUST for the cover, with no regard to what was inside -- the ONLY time I bought something regularly for the cover alone! --Peter Bagge, OTHER LIVES

I'm going to go for GREEN LANTERN #70, which I think dates from 1968. The cover, which was by Gil Kane, showed a tall, slender, subtly inhuman alien standing over the body of Green Lantern, and lamenting "But I only wanted to make him laugh... not die!!" The cover itself, which I saw long before I ever got to read the story, suggested in itself some terrible cosmic irony, and it preyed on my mind to the point where I must have gone through a couple of dozen scenarios in my head before I got to read the actual issue. That was what reading comics was like for me as a kid: an explosion of ideas vivid enough to derail reality. My mind was psychotically focused to the point where the actual story was sometimes frustrating because it killed a million possible alternatives. And cover artists played shamelessly to my demographic by producing images which were sometimes only tangentially relevant to content... --Mike Carey, co-creator and writer, THE UNWRITTEN

So many covers to choose from. Really impossible to choose a definitive favorite. There are so many contemporaries who light me up today, and so as not to alienate any of them I'll dig into the farthest deepest corners of my little kid memories to the Rose Elementary School carnival where I threw a fishing line over a wall and pulled back a rolled up copy of TEEN TITANS no.17 with a very psychedelic trippy character called the Mad Mod. Like a british and ghostly King Kong he loomed over London with Wonder Girl, Robin, Kid Flash, and Aqualad in his gigantic grip. It blew my mind Daddy-O! And continues to resonate in my fevered brain today. --Mike Allred, co-creator and artist I,ZOMBIE

KAMANDI #28 APRIL 1975 Art by JACK KIRBY
I missed all Jack’s DC comics in the 70's. DC imports were hard to find in the UK and I was only 8 when this came out. However in the late eighties, whilst I was at college and working on small press strips in my spare time, my friend/collaborator Chris Ski gave me a bunch of Kirby's DC comics. KAMANDI #28 was one of them. I fell in love immediately with it's style, dynamics and the vast cast of animal characters. This comic has been a treasured possession ever since. It frequently influences my work, most obviously in FABLES : THE GOOD PRINCE. As I write this it is still sat atop a pile of comics next to my desk. –Mark Buckingham, artist FABLES

SHADE THE CHANGING MAN #1 drawn by Brendan McCarthy. I know it’s terribly self-indulgent, but I’m going to choose a cover of one of my own books, by the inimitable Brendan McCarthy. It’s number one of Shade The Changing man and it brings back so many memories, not least of travelling across America looking for the “madness” of the country. I remember Brendan telling me he was putting in some Twin Peaks style picket-fences, representing the surface normality that the book so feverishly ripped apart. I don’t think he’d even seen the show at the time… --Peter Milligan, writer HELLBLAZER and THE BRONX KILL

ANIMAL MAN #5: The Coyote Gospel
Not just because of the amazing Bolland imagery that launched the most well-known meta-story arc in comics, but also because The Coyote Gospel is one of the most important single issues in my development as a creative person. This comic book still speaks truth directly to my soul. –Josh Dysart, writer UNKNOWN SOLDIER and NEIL YOUNG’S GREENDALE

SUPERMAN RED SON 3. I can’t tell if it’s my favorite DC cover ever, cause, well... I haven’t seen them all, but I saw this one a long long time ago, and it’s still fresh in my mind, even after all those years. Dave Johnson is a complete master on the cover art craft, and the way he uses design, colors, and comic language here, is just too phenomenal. –Rafael Albuquerque, artist AMERICAN VAMPIRE

Favorite cover? It's a tie- Dave Johnson's 100 BULLETS cover for the Once Upon a Crime trade paperback and issue #98 of 100 Bullets! Graphic, incredible and iconic! Dave Johnson is the best cover artist out in comicsland!” –Jill Thompson, DELIRIUM’S PARTY: A Little Endless Storybook

This one--not because it showed the "shocking truth about drugs!" but because when I was a young kid reading comics, Neal Adams was the first artist that really blew me away and made me realize there were actually real artists with names who drew these books. I devoured everything I could find by Adams and my goal of being a comic artist was set! –Peter Gross, co-creator and artist THE UNWRITTEN

My favorite is BATMAN #205. This included everything essential on the cover but completely broke the mold of the covers that came before and after. Totally stands out, even today. –Matt Kindt, REVOLVER

My favorite DC Comics cover was Joe Kubert's first DC Tarzan cover. I'd always been an Edgar Rice Burroughs fan and to see his greatest character realized so wonderfully in the comics format was just a special moment for me. And this issue was contemporary with a terrific DC Renaissance. Neal Adams and Denny O'Neal were doing their run on Green Lantern and Green Arrow. Jack Kirby had just come over to DC to do his Fourth World. It was a magic moment for DC in particular and comics in general. --Bill Willingham, writer FABLES

It’s that time of year when the “Best Of” lists start circing.

TIME/Techland's 10 Best Comics of the Decade, includes: # 10 Y: The Last Man and # 2 100 Bullets

The PASTE Magazine Top 20 of the Decade, includes: at #11 FABLES Deluxe Vol. 1 and #4 Y: The Last Man Deluxe Vol. 1

The ONION AV Club Top 25 Best Books of 2000’s, includes: Y: The Last Man Deluxe Vol. 1

The VILLAGE VOICE Best Comics and Graphic Novels 2009, includes:THE UNWRITTEN

Question: What Comics and Graphic Novels would make your top 10 “Best Of” list this year?