DC Entertainment Announces Two New Series at Emerald City Comic Con

This past weekend, the streets of Seattle were awash with the colors of capes, cowls, tights, and more, as Emerald City Comic Con took over the Washington State Convention Center for three days.

Timed to the convention, DC Entertainment announced the launches of two exciting titles – DC Comics’ new ongoing monthly series, TRINITY OF SIN: PANDORA, and Vertigo Comics’ BROTHER LONO, an all-new 8-part miniseries spinning out of the critically acclaimed and New York Times bestselling series, 100 BULLETS!

In stores this spring, TRINITY OF SIN: PANDORA will shine a solo spotlight on the elusive character Pandora and begin to unravel the details of why she’s such an integral part of DC COMICS-THE NEW 52. Written by Ray Fawkes (CONSTANTINE; JUSTICE LEAGUE DARK) and illustrated by Daniel Sampere (BATGIRL; JUSTICE LEAGUE DARK), this new series will be complimented by THE PHANTOM STRANGER – which will be retitled to TRINITY OF SIN: THE PHANTOM STRANGER when co-writer J.M. DeMatteis takes over full writing duties in June.

“She's spent thousands of years crossing the globe, over and over again, hearing her name cursed for all the evils of the world,” Fawkes exclusively teased to COMIC BOOK RESOURCES about the new series’ mysterious protagonist. “She carries this unfathomable guilt and this searing anger with her -- guilt because she may very well be responsible for all this suffering, and anger because she thinks she never had a chance to avoid unleashing it. She has reason to believe the game was fixed. So she's had all the time in the world to crawl through every kind of shame and pain and remorse you can imagine, and she's come out on the other side of it with a strong, pure sense of purpose. Is that going to lead to more trouble? Yeah, of course it is. But trouble for whom?”

“TRINITY OF SIN: PANDORA is an action/horror title,” Fawkes continued. “It's about a blistering quest for vengeance, no-holds barred, with blatant disregard for the costs incurred -- until it breaks, like a bloody wave. Then it's about something else entirely, and I'm not going to give that away just yet.”

Also landing on shelves this spring, BROTHER LONO will reunite the Eisner Award winning creative team of Vertigo Comics’ 100 BULLETS – including writer Brian Azzarello, artist Eduardo Risso, colorist Trish Mulvihill, letterer Clem Robbins and cover artist Dave Johnson.

“It's not a continuation of 100 BULLETS. I wouldn't even call it a sequel. It's dealing with one of the characters that happened to survive. Everyone else in the series [BROTHER LONO] — it will be all new characters. It's just, what's Lono been doing since the end of that series,” Azzarello exclusively revealed to NEWSARAMA, who also debuted the cover for 100 BULLETS: BROTHER LONO #1. “We're not going to learn more about his background. We're going to learn what drives him. He's not a character that looks toward the past. He's always moving forward.”

As for how the creative team feels to be re-entering the world of 100 BULLETS together?

“We're really excited about this. We're happy to be back,” Azzarello told NEWSARAMA. “We wouldn't be doing it if we didn't have a story to tell. So luckily, we had one.”

Look for TRINITY OF SIN: PANDORA and BROTHER LONO in stores this June. And keep checking back to THE SOURCE and GRAPHIC CONTENT for more about the launches of these two new series in the coming weeks!

Cover Reveal:100 BULLETS DELUXE EDITION BOOK FOUR and HELLBLAZER VOL.5: DANGEROUS HABITS NEW EDITION

 

The Houses of Trust and the Minutemen prepare for the impending war in the deluxe edition of the acclaimed series 100 BULLETS collecting issues #59-80.

 

Make sure to pick up your copy of 100 BULLETS DELUXE EDITION BOOK FOUR, written by Brian Azzarello and illustrated by Eduardo Risso, on April 10th!

 

Here’s a first look at the cover by Dave Johnson.

 

Also in April, John Constantine is back with a new edition of a classic HELLBLAZER collection featuring several tales never before collected!

 

Written by Jamie Delano and Garth Ennis with art by Sean Phillips, Steve Pugh, Dave McKean, William Simpson, Mark Pennington, Malcolm Jones III and Tom Sutton, HELLBLAZER VOL.5: DANGEROUS HABITS New Edition, which collects issues #34-46, hits stores April 24th.

 

Check out the cover by Dave Johnson.

 

AMERICAN VAMPIRE #29 variant cover reveal

American  Vampire summer blockbuster “The Blacklist” celebrates with another variant  cover by Dave Johnson!
 
“The Blacklist” is coming and as I said in  my last post—this one changes everything.

We kicked off this massive  storyline with a cover by Batman artist Greg Capullo, and this month we’ve got  another awesome cover by the great Dave Johnson!
 

 
Looks like ol’ Skinner has crossed another name off his  terrible list! Dave is one of my all time favorites and one of the best cover  artists in the biz. So we were thrilled to have him working on AV. I don’t  know about you guys, but I think Dave nailed it!
 
And don’t  forget, the action all starts THIS WEEK with “The Blacklist: Part One” in  American Vampire 28—in stores June 27Th! 




FULL CONTENTS FOR FABLES #100 UNVEILED

With the spectacular 100th issue of FABLES coming soon, we are excited to unveil the full contents of this special, 100-page issue.

The issue kicks off with a 62-page lead story written by series creator Bill Willingham, with art by Mark Buckingham, Steve Leialoha and Andrew Pepoy

Following that is a 10-page prose story written by Mark Buckingham with illustrations by Bill Willingham.

Also in this issue are:

• A set of do-it-yourself FABLES puppet theater illustrated by Mark Buckingham

• A three-page story written by Willingham with art by CINDERELLA artist Chrissie Zullo

• A three-page story written by Willingham with art by Joao Ruas

• A two-page FABLES board game, illustrated by Buckingham, with game rules by Willingham

• Four celebrity “Burning Questions” stories, all written by Willingham, featuring questions from some of your favorite actors who are also FABLES fans! These “Burning Questions” are illustrated by top-flight artists including Adam Hughes, J.H. Williams III and Dave Johnson.

FABLES #100 is scheduled to arrive in stores on December 8!

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DC COMICS Celebrates 75 Years

Over on THE SOURCE, The DCU is celebrating 75 years of DC Comics by revealing a bunch of amazing variant covers. But these aren’t just any variant covers, they are of some of the most classic and iconic images from DC’s illustrious history re-imagined by some of the biggest names in the industry.

Well, GRAPHIC CONTENT couldn’t just sit back, so, along with THE SOURCE and THE BLEED, we’re all taking a look back today. We’ve asked some of our current writers and artists to pick their favorite DC COMICS cover, be it from the DCU, Vertigo or Wildstorm and tell us what it means to them.

So, without further ado, let’s read what they have to say!

am51

My favorite cover would be ANIMAL MAN #5. Grant Morrison's early Vertigo work blew my mind in a way no comic ever had. And this issue of ANIMAL MAN, and this cover in particular, are perfect examples of the craziness and irreverence that inspired me to wanna write comics of my own. –Jason Aaron, writer SCALPED

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Ronin Book One - Frank Miller. The comic shop was small and dark, located in the mall's basement, and this book, high up on the wall in the back, kept calling out to my 10-year-old brain. The color and design promised something strange and new, and when my older brother finally bought it, it didn't disappoint. For me, comics couldn't just be about superheroes any more. --Cliff Chiang, artist NEIL YOUNG’S GREENDALE

plop11

My fave is this or any other Basil Wolverton cover for PLOP Magazine from the 1970s (though Sergio Aragones designed the boarder images). I bought every issue of this title JUST for the cover, with no regard to what was inside -- the ONLY time I bought something regularly for the cover alone! --Peter Bagge, OTHER LIVES

greenlantern_070

I'm going to go for GREEN LANTERN #70, which I think dates from 1968. The cover, which was by Gil Kane, showed a tall, slender, subtly inhuman alien standing over the body of Green Lantern, and lamenting "But I only wanted to make him laugh... not die!!" The cover itself, which I saw long before I ever got to read the story, suggested in itself some terrible cosmic irony, and it preyed on my mind to the point where I must have gone through a couple of dozen scenarios in my head before I got to read the actual issue. That was what reading comics was like for me as a kid: an explosion of ideas vivid enough to derail reality. My mind was psychotically focused to the point where the actual story was sometimes frustrating because it killed a million possible alternatives. And cover artists played shamelessly to my demographic by producing images which were sometimes only tangentially relevant to content... --Mike Carey, co-creator and writer, THE UNWRITTEN

mad-mod

So many covers to choose from. Really impossible to choose a definitive favorite. There are so many contemporaries who light me up today, and so as not to alienate any of them I'll dig into the farthest deepest corners of my little kid memories to the Rose Elementary School carnival where I threw a fishing line over a wall and pulled back a rolled up copy of TEEN TITANS no.17 with a very psychedelic trippy character called the Mad Mod. Like a british and ghostly King Kong he loomed over London with Wonder Girl, Robin, Kid Flash, and Aqualad in his gigantic grip. It blew my mind Daddy-O! And continues to resonate in my fevered brain today. --Mike Allred, co-creator and artist I,ZOMBIE

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KAMANDI #28 APRIL 1975 Art by JACK KIRBY
I missed all Jack’s DC comics in the 70's. DC imports were hard to find in the UK and I was only 8 when this came out. However in the late eighties, whilst I was at college and working on small press strips in my spare time, my friend/collaborator Chris Ski gave me a bunch of Kirby's DC comics. KAMANDI #28 was one of them. I fell in love immediately with it's style, dynamics and the vast cast of animal characters. This comic has been a treasured possession ever since. It frequently influences my work, most obviously in FABLES : THE GOOD PRINCE. As I write this it is still sat atop a pile of comics next to my desk. –Mark Buckingham, artist FABLES

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SHADE THE CHANGING MAN #1 drawn by Brendan McCarthy. I know it’s terribly self-indulgent, but I’m going to choose a cover of one of my own books, by the inimitable Brendan McCarthy. It’s number one of Shade The Changing man and it brings back so many memories, not least of travelling across America looking for the “madness” of the country. I remember Brendan telling me he was putting in some Twin Peaks style picket-fences, representing the surface normality that the book so feverishly ripped apart. I don’t think he’d even seen the show at the time… --Peter Milligan, writer HELLBLAZER and THE BRONX KILL

am51

ANIMAL MAN #5: The Coyote Gospel
Not just because of the amazing Bolland imagery that launched the most well-known meta-story arc in comics, but also because The Coyote Gospel is one of the most important single issues in my development as a creative person. This comic book still speaks truth directly to my soul. –Josh Dysart, writer UNKNOWN SOLDIER and NEIL YOUNG’S GREENDALE

superman_redson3

SUPERMAN RED SON 3. I can’t tell if it’s my favorite DC cover ever, cause, well... I haven’t seen them all, but I saw this one a long long time ago, and it’s still fresh in my mind, even after all those years. Dave Johnson is a complete master on the cover art craft, and the way he uses design, colors, and comic language here, is just too phenomenal. –Rafael Albuquerque, artist AMERICAN VAMPIRE

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Favorite cover? It's a tie- Dave Johnson's 100 BULLETS cover for the Once Upon a Crime trade paperback and issue #98 of 100 Bullets! Graphic, incredible and iconic! Dave Johnson is the best cover artist out in comicsland!” –Jill Thompson, DELIRIUM’S PARTY: A Little Endless Storybook

dciconic5

This one--not because it showed the "shocking truth about drugs!" but because when I was a young kid reading comics, Neal Adams was the first artist that really blew me away and made me realize there were actually real artists with names who drew these books. I devoured everything I could find by Adams and my goal of being a comic artist was set! –Peter Gross, co-creator and artist THE UNWRITTEN

batman205

My favorite is BATMAN #205. This included everything essential on the cover but completely broke the mold of the covers that came before and after. Totally stands out, even today. –Matt Kindt, REVOLVER

My favorite DC Comics cover was Joe Kubert's first DC Tarzan cover. I'd always been an Edgar Rice Burroughs fan and to see his greatest character realized so wonderfully in the comics format was just a special moment for me. And this issue was contemporary with a terrific DC Renaissance. Neal Adams and Denny O'Neal were doing their run on Green Lantern and Green Arrow. Jack Kirby had just come over to DC to do his Fourth World. It was a magic moment for DC in particular and comics in general. --Bill Willingham, writer FABLES

From the Editor's Desk: Will Dennis

100 BULLETS...I KNOW IT”S OVER

I mean I know we had our rough patches in the past – and you’ve disappeared on me before, sometimes months at a time – but this feels different. Like it’s really over. Ten long years – all the love, tears, laughs, fights, sex, revenge – and you’re just gonna vanish on me? Nice.

How am I supposed to fill my time now? No more daily calls to Azz to talk about you. No more Risso jpegs of beautiful pictures of you. No more links to Trish’s server to see how pretty she colored you. No more words from Clem to speak to me with. No more tortured calls talking Dave off the ledge to get your covers...no more.

Was it because of the changes Brian & I made to you on the last issue? Come on! They were MINOR. Just a snip here, a cut there. We’ve done way worse before. I even included a bunch of them to this posting so you can see what I’m talking about. God, you’re soooo sensitive.

Fine. Whatever. Be that way. Go off and sulk. I’m over it. I don’t need you anymore.

Wait...what’s that? You’re finally all collected? You mean all 100 issues of you? And the last trade comes out in like a week? So I can have all of you whenever I want to? Like forever?!

Oh thank God...I’m so sorry about all the mean stuff I just said about you. I take it all back. I’m just a selfish jerk.

I love you, baby. I always have and I always will.

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