Karen Berger's RECOMMENDED VERTIGO SUMMER READING

 

Summer’s here and with it we’re releasing our summer reading list! Each day this week, we’ll give you a new recommendation from a different VERTIGO editor.   


But don’t worry, we won’t be making you read books without pictures and there's no book report due at the end.  Instead, we’ll be giving you the perfect comic to read at the beach, on a road trip or however you spend your summer.  


Today, we’re starting off with VERTIGO’s editor-in-chief, Karen Berger!

 

 

 

From the Editor's Desk: Will Dennis

New Year’s resolutions. Everybody makes them. By now, if you’re like me, you’ve already broken them. So yeah, I’ll be getting fatter this year, I’ll continue to read the comments on message boards and my personal finances will remain a mess. Oh well. So let’s change it up...A THURSDAY’S resolution. I’ll be here every Thursday to show you a little behind-the-scenes at VERTIGO. Something cool that came across my desk, into my inbox or over the transom (Does anyone really have a transom anymore?) Thursday. It’s the new Friday. peace & hair grease, Will Dennis P.S. Let’s get it started...SAUCER COUNTRY #1 variant by SEAN MURPHY! Colors by David Stewart. It’s a rocket, man!

Scott Snyder talks about the AV team Winning their first Eisner

Sitting with the AMERICAN VAMPIRE team of Scott Snyder, Rafael Albuquerque and Editor Mark Doyle along with, Vertigo’s Executive Editor, Karen Berger at the Eisner’s last Friday night, we were all anxiously waiting for the winner of Best New Series to be announced. Now, over to series writer and co-creator Scott Snyder to tell you what it means to him to win.

There was a moment I was worried my Eisner was going to be taken away. This was at the San Diego airport, at security, when the woman behind the scanner demanded to know what was inside it. I told her I didn't know.
"You don't know," she said, an eyebrow raised.
"No. I mean, nothing is in it. It's just a trophy."
"Why's it so heavy then?"
"I don't know."
"You don't know if something's in it, or you do?"
"I do."
"Then what's in it? Why can't you just answer the question?"
At which point, I started to stammer and trip over my answer. What did she mean? I didn't know, but she had the Eisner in her hand and she didn't look like she was going to give it back and so I said something that sounded like a joke but wasn't, something that was the only thing I could think to say to her question of what's inside that ball-topped trophy: "What's in it is all of my nerd dreams, ma'am. All of them. Now can you please give it back?"

It was true, too, about my nerd dreams. Sitting in the ballroom at the awards ceremony, wearing my lucky Elvis shirt beneath my button down, I couldn't get over how nervous I was. I knew I'd be nervous, but not that nervous. I could barely eat anything, barely drink. And then when our name was called... In the end, all I want to say is that I can't thank you all enough. Everyone out there who reads AMERICAN VAMPIRE and AMERICAN VAMPIRE SURVIVAL OF THE FITTEST. I've never had more fun or been more in love with a story than the one we're telling through this crazy series of ours. For one, I believe in the story we're telling whole-heartedly. It's about everything I love writing about, monsters, Americana, American history, early music, rock and roll... But more than this, it's a collaboration with guys I've come to call some of my best friends. Not just in comics, either. Rafa (my co-creator) and Mark Doyle (our editor) have become two of my best friends in the world. Nothing is more exciting than getting to tell stories with them. Not to mention other friends we've made along the way - the godfather of horror, Stephen King, whose contributions to the series are immeasurable. Dave McCaig, our amazing colorist, Sean Murphy artist on AV Survival of the Fittest, Dave Stewart... The legendary Karen Berger and Will Dennis of Vertigo for believing in vampires who will never ever sparkle... Again, AV is a labor of love, made among friends who enjoy working together. And I couldn't be more grateful to them, or you.

Which brings us back to the airport, really. Because like I said, my answer to that woman at security was true. The Eisner does hold all of my nerd dreams. But not dreams of some kind of recognition or acclaim; dreams of getting to tell a story you love more than anything, with a bunch of guys and girls you love working with. What could be better? And in the end, the people that make that possible - the biggest friends of Skinner (and us) - are you, the fans of the series. So again, a HUGE thanks to all of you. As a way of thanking you I can promise that the best of American Vampire is yet to come. The stuff we have planned, between the Indian Wars, the rockabilly 1950's, the revelations that are coming for Skinner and Pearl and Henry, too... The new characters, the new vampires (and new ancient ones). This series is our baby and we'll never stop giving it 100%.

As for the Eisner itself. It did eventually make it through security. Right now, it's on my son's shelf, among his toys. He's 4, and he likes using it as a trophy for the winner of our nightly sock-fight (he invariably defeats his father with some new, experimental move). And I like seeing it there, as I turn off his light, knowing that maybe it's beginning to collect his nerd dreams, too.

Thanks again to everyone.

Scott Snyder
7/27/11

Now, then, and how something that happened to you can inspire you 10 years later.

Sometimes, you use real life elements to create fiction. The opposite's also true, as fiction can make us want to do something, travel somewhere, meet someone. Hopefully, we're always inspired, be it by life or fiction, to do something more, to live life to its fullest and to be always open to new discoveries.

In 1998, I was fresh out of college, not unlike Brás and Jorge at the second chapter of DAYTRIPPER and, like them, Bá and I went on a trip across the country to see its natural beauties that led us to Chapada Diamantina, that beautiful natural park with mountains and canyons covered with deep forests and surrounded by rivers, lakes and waterfalls. We saw the sunset on the same mountain top that Brás and Jorge saw the sunrise, and it was then, on a small village called Lençois that rests inside the valley, that we saw for the first time the celebration of Iemanjá's day, which happens every year on February 2nd. It was a beautiful, magical party, celebrated with joy and candle light, where you felt happy to be alive and believed anything could happen. As we continued traveling, we made our way to Salvador, where we heard stories of how there wasn't any Iemanjá's day as the one they celebrated there, at the Rio Vermelho beach, where thousands of people gathered all day long. We left Salvador thinking about all those gifts and candles that would be floating on the ocean at sunset, on decorated baskets, waiting for Iemanjá to claim her presents.

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Popular celebrations are a big part of Brazilian culture and many popular festivities take place on open air, in the streets, in parks, in beaches and rivers. We wanted Brás to experience one of those popular festivities, be part of something bigger than himself, somewhere where he would be a stranger discovering things at the same time as the reader, and we knew, as we started to think what could Brás do and where could he go, that we would take the young and hopeful Brás to Salvador for Iemanjá's day. Fiction inspired by real experiences.

10 years after that first trip, we returned to Salvador in 2008 to see, experience and research Iemanjá's day at the Rio Vermelho Beach, inspired by this fictional story we were starting to write.

And it was incredible.

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Jump to the present, and we're ready for the release of DAYTRIPPER as one big book, hoping it reaches new readers and travels to new places, and guess what's the release date in comicbook stores?

February 2nd, Iemanjá's day.

We'll be at the beach, lighting candles and celebrating, being grateful for this wonderful trip and wishing for the next one.

Fábio Moon

P.S.: Thinking of how unconventional this story was, and how extremely difficult it was to explain its structure and how it would all make sense in the end, we are extremely grateful to Bob Schreck, our original editor on the series, who got it right away and fought at our side to get the series approved, even if he, as well as everybody else (us included), didn't quite knew how we would pull it off. And, looking at the weird coincidences of our lives, turns out Bob's birthday is on February 2nd, so thank you, Bob, and happy birthday.

DC Comics and Vertigo take home seven of IGN's Best of 2010 Awards

Seven, they say, is a magic number. And this morning, we can't disagree.

Because DC and Vertigo have put on an impressive showing, combining to win seven, yes seven of IGN's thirteen awards for the Best of 2010.

Here's the rundown...

Best New Series: Vertigo's AMERICAN VAMPIRE

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Best Art Team: Gabriel Bá, Fábio Moon & Dave Stewart (DAYTRIPPER)

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Best Series Revamp: ACTION COMICS

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Best Moment of the Year: BATMAN & ROBIN 13

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Best Story Arc: "Batman and Robin Must Die" from BATMAN AND ROBIN

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Best Series: BATMAN & ROBIN

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Best Writer: Grant Morrison.

Here's IGN on Grant's many accomplishments in 2010:

"The writer wrapped up his run on Batman and Robin in grand fashion. He brought Bruce Wayne back to the present where he belongs. He celebrated the legacy of Batman as a whole in Batman #700. And luckily, Morrison did find time to weave his own original stories with Joe the Barbarian. Any of these projects numbered among the most unique and memorable of the year. Taken together, it's clear Morrison is still at the top of his game."

Congratulations to everyone on IGN's list.

From the Editor's Desk: Karen Berger talks NEIL YOUNG'S GREENDALE

If someone told me when I first started working here, that I'd someday be working with Neil Young, I would have flipped out! Well, I haven't lost my mind yet :) but I AM over the moon to be publishing our adaptation of NEIL YOUNG'S acclaimed GREENDALE album.

Neil approached us over four years ago with the idea of taking his acclaimed concept album and realizing it as a graphic novel. The original album was conceived as a musical novel of sorts, a 10-song rock opera that tells the story of the restless characters in the sleepy, seaside California town of Greendale, with a teenage girl, Sun Green, at its center. It has also been a live rock opera, a film that Neil directed as ‘Bernard Shakey’, which would lead to a companion book, plus an off-Broadway musical.

Joshua Dysart was the first writer who leapt to mind to handle the writing. Josh's sheer talent and sensibility as a writer and his longtime political activism made him perfect for this book, and growing up on Neil Young's music certainly made him a slam dunk. Neil immediately responded to Josh's first thoughts on the adaptation and a great collaborative process between the two of them followed. And, while I always knew that Josh would do a great job, I was wowed by his ability to convey this rambling rock and roll feeling to the graphic novel form and to create an atmosphere that felt very much like Neil's music. With his stellar work on UNKNOWN SOLDIER, Josh has jumped into that special class of a true craftsman who can move you with his words while conveying a passionate message.

Trying to find the right artist wasn't anywhere as easy. I had sent Neil samples of many different artists but he had a particular look in mind and wasn’t satisfied. But then he saw Cliff Chiang's art and immediately fell in love with it. Not surprising, as Cliff's clean, modern style has an organic, natural feel to it. He is a fluid and accessible storyteller, which worked perfectly to transform this rich family saga into a graphic novel. There is something about his work on GREENDALE that takes his art to another level. His wonderful ability to capture the details and nuances of a very large cast of characters, while impressing us with the towering and majestic landscapes, made him the perfect choice (You were right to wait, Neil!).

And I can't say enough about the incomparable colorist Dave Stewart. His glorious sun-washed palette was key in making this story complete, always in concert with Cliff’s art, never competing with it. His artistry is an integral part of this book. As always, the one and only Todd Klein provided the impeccable lettering. And Neil himself offers a special intro to this amazing graphic novel.

Josh and Cliff have done some terrific interviews so please make sure to check them out, so you can read in their own words so much cool behind the scenes info that went into the creation of this book. (NEWSARAMA feature with Josh, NEWSARAMA feature with Cliff, CBR feature with Josh.)

And, as a special treat, here are Cliff's sample pages that got him the job!

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NEIL YOUNG'S GREENDALE, in all its incarnations, speaks to the power of environmental, social and personal responsibility that each and every one of us living on this planet shares. With what's going on in the world today, especially with the horrendous Gulf oil spill, this book couldn't be timelier. But ultimately, this is a great story with incredible art, so whether you're a fan of Neil Young or you just want to lose yourself in a mysterious, haunting and hopeful tale, GREENDALE will definitely take you there. (And have I told you? I love this book!!)

HUFFINGTON POST and others preview NEIL YOUNG'S GREENDALE

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Check out the Featured Blog Post with exclusive 13 page preview on the Front Page, in the Entertainment Hub, and the Books Hub at THE HUFFINGTON POST. The last 2 pages of the preview call our attention to many current and topical issues, including war, the energy crisis, and oil drilling.

Previews have also appeared at TIME/TECHLAND, AOL’s COMICS ALLIANCE, and NEWSARAMA which also featured an interview with Josh Dysart, along with BIG SHINY ROBOT.

You can also read a review on SUNDANCE CHANNEL's SUNFILTERED and Io9 includes a mention.

Enjoy!
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NEIL YOUNG’S GREENDALE: Take a look inside

Some stories are so personal and so important that we cannot let them go. Time passes, details are embellished, and the narrative shifts to accommodate a new audience. But the heart of the story, what is most private and profound, remains unchanged: we create our own mythologies.

Neil Young’s ambitious story GREENDALE began as a concept album, was performed as a live rock opera and adapted into a film; today it will be available as a graphic novel in comic book stores and next Tuesday everywhere books are sold. What remains unchanged about GREENDALE in its many incarnations is that it remains Neil Young’s singular vision of environmental, political and personal responsibility. Focusing on a small Southern California town, Greendale is the story of Sun Green, a teenage girl with preternatural connections to nature.

Welcome to NEIL YOUNG'S GREENDALE:

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Josh Dysart talks NEIL YOUNG'S GREENDALE

Vertigo On the Ledge: with Joshua Dysart

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When I was ten my mom bought me my first record player. That night I started digging through her stacks of vinyl that lay scattered around the living room. I wasn't discerning. I had no idea of what I was looking for. What was on top was what got played. And that's how Neil Young's Harvest came to be the first album I remember dropping my needle on.

The songs on that album were a glimpse into the loving, suffering, and complexity at the heart of the adult inner-life. I was fascinated and awakened. So it was a wonderful twist of fate when 25 years later I found myself on the phone with Karen Berger saying, emphatically, "yes!" to the Greendale project.

Neil Young's Greendale, a concept album about a young political activist and her family in a small northern California town, has been a rock opera, a movie directed by Neil himself, and an art book. It captures his feelings about the war, the news media, the environment, the role of family and small-town America and the inherent power of youth. It's sprawling, rocking, down home, sad and hopeful.

NEIL YOUNG'S GREENDALE, the graphic novel, is a lot of things at once too. It's my desire to tell stories about real people mixed with VERTIGO's habit of using the supernatural to explore the human condition and Neil's anger against political hubris and hypocrisy. All packaged together by an incomparable A-team of creators (Cliff Chiang, Dave Stewart and Todd Klein) and using the skeleton key of Neil's characters and events from the record and, even more so, the art book, to find its way.

But our book's also different from the album. With Neil's notes and approval at every stage of the process, we were able to avoid simply copying a work that already existed in several iterations. We wanted to find something new inside of it. And so our GREENDALE is more of an American fable than a rock ballad. But hopefully, when you read it, you'll still hear in your head the music that drives it and feel the loving, suffering, and complexity that Neil Young's work has communicated to generation after generation of music fans… just like me.

—Joshua Dysart

NEIL YOUNG'S GREENDALE is on sale this Wednesday!

If you haven’t seen it, the current issue of FILTER Magazine has a feature on GREENDALE artist Cliff Chiang with some incredible interior images from the book.

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