Brian Wood talks going Digital

Digital editions of DMZ started going live this past summer, and I was thrilled. As a creator who still feels like an indie guy, digital is a must-do thing, an obvious move, a life line, a complete necessity to keep our books alive and kicking as time goes on. I'm happy beyond belief that DC is kicking this into overdrive, and with guys like Jim Lee directing it, I don't have any doubt it'll continue to expand and mature. I love my print comics, but however anyone chooses to read my work is a win for everyone involved.

--Brian Wood

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DMZ #58 Preview

Last time we saw the legendary street artist "Decade Later," he was in cuffs and headed to a detention camp. Now, years have passed, and he’s back, walking the streets like he never left--a symbol of art defiant in the face of violent oppression.

Writer Brian Wood and artist Danijel Zezelj (LUNA PARK) explore where he’s been and what he’s up to in DMZ #58 on sale tomorrow!

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DMZ #57 art by Cliff Chiang!

Try something different. That's what I feel Vertigo has always been about, even from my early days there as a runny-nosed assistant editor. I really treasure that sense of freedom, and it's why I love working on Vertigo books. Though I've known Brian Wood for a while, the stars never aligned for us to work together. So when I heard he was writing a series of connected one-shots for DMZ, I jumped at the chance. It was the perfect opportunity to experiment.

Like many artists, I tend to have a wandering eye when it comes to drawing. I'm influenced by so many disparate things, and would love to assimilate and pay tribute to all of them. I've very proud of my work with Josh Dysart on NEIL YOUNG'S GREENDALE, but after 150 pages of maintaining a certain style, I started getting a little antsy. Having focused on precise linework for the past few years, I really wanted to loosen up and bring some more energy and grittiness to my work. With DMZ, I was returning to a more familiar urban setting, and that level of comfort gave me enough confidence to experiment a little. Brian's wonderfully sparse and quiet story really put the focus on the visual storytelling, and it pushed me to deliver. The work reminds me a bit of some of my earlier books like Josie Mac from Detective Comics and one of my favorite art jobs, Vertigo's Beware the Creeper from 2003, but with the added bonus of some stronger drawing skills unexpectedly attained in the years since. It felt a lot like reconnecting with an old friend, and drawing these 22 pages has been more creatively rewarding than I ever would have thought. Knowing you have great people at your back makes it much easier to take chances, so thanks to Brian, and editors Will Dennis and Mark Doyle for keeping an open mind and supporting me all the way. Hope you enjoy the results.

Cliff

DMZ #57 is on sale this Wednesday!

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Make War No More : Editor Will Dennis on Memorial Day

Back in the 1970’s, DC war comics like SGT ROCK started quietly featuring a slug at the end of the issue that read “MAKE WAR NO MORE.” It was a simple and honest appeal on the part of the creators and the company to a nation still trying to heal itself from the wounds of The Vietnam War.

DC has had a long tradition of publishing war comics right up to the present day as evidenced recently by Joe Kubert’s DONG XOAI - VIETNAM 1965, DMZ, UNKNOWN SOLDIER, recent issues of SCALPED and more. And while these comics are often action-packed, adventure stories, there’s always been a strong message that war has a horrible – and too high -- price. It takes a heart-breaking toll on all of us – the civilian and the soldier alike.

Memorial Day is a day to remember those men and women who’ve made the ultimate sacrifice in battle. In that spirit, I’d ask you to take a moment away from your picnics and parties to reflect on what this day really means and work towards a day when war is just a distant memory of a more uncivilized time.

Until that day...MAKE WAR NO MORE.

-- will dennis

Now here's an excerpt from DONG XOAI, Vietnam 1965 by Joe Kubert (The Joe Kubert Library):

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Morgan Spurlock introduction to DMZ volume 8

We're lucky here in the United States. There hasn't been a war fought on American soil in more than 145 years. We've been distanced, protected, and made safe from the fear and horrors of war, especially from the possibility of having one in our own backyard.

When you go home tonight, turn on one of our Big 4 TV news networks and see how much coverage is actually dedicated to any of the ongoing struggles happening beyond our borders. In the United States, we have helped support and create a government and a media machine that puts us in a bubble, reinforces a xenophobic view of the world, and puts all of our troubles "out of sight and out of mind."

But all that stops in DMZ - and I find that to be the bravest and most important part of this revolutionary series.

Insurgencies. Suicide bombers. Nuclear Armed States. These are all scary scenarios that could be ripped each day from the world's top stories, but in the hands of Brian Wood, they create something much more frightening.

Rogue nations, outspoken dictators, private contractors and heartless mercenaries all find a place in the pages of DMZ. They open our eyes and our ears to events that, while fictional in the frames of this groundbreaking creation, are links in the chains of our global existence. Each story, each character and each page is undeniably tied to the world in which we live, and for me ­ that is DMZ's greatest triumph.

It would be easy to continue to go through life with blinders on to shield us from the ugly truths that, to this day, still send brave men and women to fight overseas. Soldiers, who we're told, are fighting "over there" so we won't have to here. By the time this hits the newsstands, more than 2,000,000 Americans will have fought either in Iraq or Afghanistan Š a number that makes the stories of DMZ all the more terrifying, all the more plausible and all the more realistic.

What these books also do, especially the series that you are about to read, is bring into question the influence and power of hope. DMZ, like our own world, has been overshadowed with the beliefs that certain men and women, when given the chance, would reshape the course of human history. They would right the wrongs that had come before them and cut a clear path toward harmony. Citizens put their faith in these outspoken people, and now, as tensions mount both here and on the world¹s stage, we all stand poised to see if they will rise to the challenge we have given them, or if Icarus will fall to the ground.

When you read "No Future" and "Hearts and Minds," you will unquestionably draw parallels to questions in your own life, but what I hope happens more than anything else, is that in some small way, you actually start to find some answers.

--Morgan Spurlock, documentary filmmaker (Super Size Me), television producer and screenwriter

DMZ Volume 8: Hearts and Minds is on sale next Wednesday!

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Vertigo Graphic Connection

Good morning Graphic Content readers! Today is very snowy in the big apple—the perfect day to stay in your pjs and read a good comic book or graphic novel or some of the great reviews and features they’re receiving. So, if you’re catching up on the week today here some things you should know:

WIRED/Underwire interviewed Jamie Delano about the HELLBLAZER PANDEMONIUM original graphic novel set in the Middle East.

“Brian Wood month” continues. ENTERTAINMENT WEEKLY/Shelf Life reviews DMZ #50 calling it “an extremely clever comic book series that regularly transcends mere cleverness.” It was also reviewed by TIME/Techland, CBR and NEWSARAMA. UGO ran a preview of NORTHLANDERS #25, while IGN reviewed and COMICS ALLIANCE, CBR and NEWSARAMA ran features.

OTHER LIVES the new original graphic novel written and illustrated by Peter Bagge, due to arrive in stores this April, has received early praise from a couple of book trade publications. PUBLISHERS WEEKLY says “this is prime Bagge that will surprise readers with its artistic maturity and a plot that is in no way predictable,” and BOOKLIST says “Best known for chronicling 1990s Seattle slackers in the comic book Hate, Bagge now gives us a quartet of neurotic misfits. . . . [his] loopy visual idiom effectively reinforces the characters’ pathetic-but-humorous, self-delusional nature.”

Have a great weekend!

First look: Brian Wood covers

The reviews and features just keep coming. Here are a few highlights that you may have missed:

USA WEEKEND features an interview with Brian about all his monthly titles.

G4 TV/Fresh Ink reviews DEMO #1

And COMICS ALLIANCE and CBR feature interviews with Brian about DMZ #50.

And now, here’s an exclusive first look at some upcoming covers [Not Final]:

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Brian Wood month?

Happy Monday!

Today is the beginning of a month that brings with it 3 significant comic books from Brian Wood--NORTHLANDERS #25, DMZ #50 and DEMO #1.

COMIC BOOK RESOURCES posted a preview of DEMO issue #1 with art by Becky Cloonan and they also posted the exclusive first look at the Jim Lee art from DMZ issue #50. If you haven’t seen it check it out now!

There’s also an amazing piece of art from DEMO issue #1 that was posted here on Graphic Content.

And IGN posted an in-depth retrospective of DMZ with commentary by Brian.

Enjoy!

Felicia Day gives accolades to DMZ

Over at COMICS ALLIANCE Felicia Day, actress and creator of the web series The Guild, references DMZ in an interview where she talks about the comics that first made her understand the beauty of the medium.

Here’s what Felicia had to say, "I had to read a lot of [graphic novels] before I started this comic to make sure I understood how characters come to life in this format versus the other formats I work with. It wasn't clicking until I finally read [Joss Whedon's] "Fray" and [Brian Wood's] "DMZ." Those were the two comics that really clicked, and I realized, oh, this is how it's done. It can be incredibly exciting -- you can't wait to turn the page and see what happens next, and the characters are alive."

Check out the full interview here.

Thanks Felicia!

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