Shelly Bond and artist Mark Buckingham discuss the double-page spread

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Shelly Bond: When you first read issue #104 of FABLES script and noticed that a double-page spread is on the table, what's your first reaction? Panic? Joy? I believe you once told me you disliked them...

Mark Buckingham: These days it's joy but, yes, once upon a time they often used to fill me with dread. I used to find them daunting. I have mostly gotten over that by not getting too preoccupied by the details, but instead focus on a major element or structural framework that will help give the piece it's initial impact. After that you can then begin to work in all the smaller details without fear of getting lost.

SB: What's your process? How do you decide whether to give us a high angle shot vs. a direct widescreen shot or a domineering and often low angle?

MB: With the double page spread in #104 my initial thought was to do a straight forward side view approach, with the super team rushing into action from the left and Mister Dark dominating the right side, but that just didn't seem powerful enough.

I realised that the central moment of the action was going to be Grimble hitting Dark.

I chose a high angle, directly above Mister Dark's head, from which the point of impact of the punch would dominate the image, giving the spread the raw power at it's heart I was looking for.

Working out from this I soon became aware that if I positioned their arms and legs carefully I could create a series of negative spaces through out the scene that would effectively become insert panels to frame each of the other heroes as they leapt into action and demonstrated the use their powers.

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SB:What was your favorite double-page spread to draw in FABLES?

MB: Tough to pick one. I like them all so much these days that I rarely sell any. I keep them for display at home and for exhibitions. I really like the one of modern military fighting the Adversary's medieval army in Sons of Empire. The Dragons attacking the airship in War and Pieces. Blue Beard and Shere Kahn at the head of an army in The Good Prince, and the one of Flycatcher relaxing in the long grass talking to the assembled flock of birds. I like the spread of the wooden army being assembled in March of the wooden soldiers, along with the one of them fighting against Beast, Grimble, Hobbes, Weyland and Blue. When I look back at some of these I'm amazed at the detail I put in! One of my all time favorites is still the Valley of Sleeping Giants from my first story arc on Animal Farm.

SB: Your least favorite?

MB: I must admit I'm never as keen on large crowds just standing around. Much tougher to make those interesting. Especially if there are a lot of regular looking people. Scenes at the Farm are easier because I can add animals and fantasy creatures into the mix.

SB: What's your all-time favorite double-page spread in comics?

MB: Wow! Tough question! All the ones that spring most immediately to mind are Jack Kirby ones. He did some amazing ones in all of his 70's series for DC. My up coming variant cover for STRANGE ADVENTURES #1 was in part a tribute to his Promethean Giants double page spread from New Gods #5. Magnificent!

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10 Questions for Bill Willingham

With Vol. 15 of the New York Times best-selling series FABLES on sale this week I thought it’d be great to catch up with writer Bill Willingham to discuss this incredibly vast and magical world he’s created.

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Q: It’s been said that you got hooked on reading and storytelling after getting swept away in the adventures of Tarzan. What’s your favorite book of all time?

Bill Willingham: It will have to be The Return of Tarzan, because that was the book that kicked the door open, setting me on the path of exploring a vast number of infinite fictional worlds, and showed me for the first time that reading wasn’t a chore.

Your knowledge of fairytales, nursery rhymes and many other forms of literature in this series is obvious. Are you always looking for new books with stories you’re unfamiliar with? Do you have library at home where you research new ideas for storylines?

BW: Yes, I am always looking for new folklore, mythology and fairytales books – or at least I’m always on the lookout for them, if not actively looking. My personal library of such books at home has grown pretty extensive.

FABLES is a series that lets you run with your imagination with different communities of Fables and other lands. If you could choose one, where would you want to live?

BW: I’m not sure. In a world still dominated by kings, queens and landed hereditary nobility, I’ve little doubt I’d end up firmly ensconced within the peasantry and therefore have to earn my living tilling the fields from dawn to dusk. Having had that job in my past, I’d like to state that the romance of the simple agrarian life is only romantic to those on the outside looking in. For those who actually have to do it, it’s hard, dirty, unforgiving work.

And life in a magical world? Magic, at least the way I conceive it, is basically having the cheat codes of the universe – the ability to break natural laws. Life is difficult enough in a world where crooks, scoundrels and ne’er-do-wells can only break manmade laws. Add to that the ability to break natural laws and I suspect life would be problematic for those of us consigned to being “just normal folks.”

Not to flog a dead horse, but I really do believe the world we live in now is the real world of miracles and wonders, and those of us lucky enough to be born in America have already won the lottery. Even our poor have TV’s, cars, access to miracle medicine, and other things that the greatest king of antiquity could only dream of.

I suppose, if I could change one thing in the world as is, if I could adopt one aspect from the various Fables worlds, I’d institute worldwide legal (and not only legal, but encouraged) dueling. I’d bet we would be astonished by how polite people got all of a sudden.

Who’s your favorite character to write?

BW: That changes too. I tend to like the struggle of writing complex characters like Bigby and Snow, but sometimes it’s nice to take a break by writing one of the more steadfast characters like Jack. And I mean “steadfast” not to imply that I approve of Jack, but only in the sense of unchanging and predictable. I always know what Jack will think about any given situation, and therefore what he will want to do in any situation. A self-loving venial jerk is easy to predict, and therefore easier to write, as opposed to one of the more nuanced characters. Flycatcher is also easy to write because he occupies the far end of the virtue spectrum from Jack. He’s so good and decent it’s not at all hard to know what his stand will be on any given situation.

Oddly enough, the hardest ones to write are the comedy relief characters like Pinocchio, Bufkin, or Frankie. It’s hard to bring the funny.

Who’s your favorite animal character from The Farm to write?

BW: Reynard. Which is why we need to get back to him soon.

If any, what Fables character is most like you?

BW: Hmmm, which one is best at stealing naps during work time, but always showing up early for suppertime?

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This volume includes issues #94 through the very special issue #100. Is it daunting or exciting for you to have written so many issues and where do you go from here?

BW: It’s pretty exciting to have written the past one hundred. The work done, published and behind me is never daunting. The work ahead of me is always daunting. From here we keep going. There are more stories yet to tell now, that we’re a hundred-plus issues down the road, than there were waiting to be told at the beginning. They keep breeding, piling up at the door, wanting to be told. When Fables ends, it won’t be because we’re out of stories, it’ll most likely be because we’re out of time.

What’s been your favorite storyline so far?

BW: Probably The Good Prince. It’s hard to choose.

Though these characters are fictional they have many real life emotions and relationships. In this volume Rose Red, sister to Snow White, while in a deep depression, learns the truth behind her sibling rivalry. Why was this an important story to tell?

BW: Because it’s so comforting, or at least so tempting, to give up, close down, and let all of life’s troubles overwhelm you. Not yielding to those temptations is the hardest battle most everyone faces in life, and it’s a battle that has to be won every moment of every day. I’m not sure I captured the universal essence of that with the Rose Red story, but I took my best shot at it.

If you weren’t writing such amazing stories, what career would you like to have?

BW: There are people who do secret quality control inspections for restaurant chains. I’ve met a few and their lives seems wonderful to me. They travel a wide route (and I’ve always been afflicted with wanderlust), eat for free (actually reimbursed – but essentially that’s the same), judge them in secret, report back to Central Command, and then move on, like a phantom breeze, a gastronomic ninja, no one ever knowing (until much later) that they struck.

Then of course there was that long stretch of years where I wanted to be a Mountie – the Sergeant Preston kind that rides dog sleds in the great open north.

Upcoming FABLES Releases

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Cover by Joao Ruas

The “Super Team” storyline concludes this June in FABLES #106, by Bill Willingham, Mark Buckingham and Steve Leialoha.

In this exciting issue the barrier keeping Mister Dark out of Haven falls leaving the kingdom entirely unprotected and Bigby and the North Wind’s big showdown ends. And the winner is…

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Cover by James Jean

This August, pick up the third FABLES Deluxe hardcover, collecting issues #19-27, written by Bill Willingham, and featuring art by Mark Buckingham, Steve Leiahola, Tony Akins and Jimmy Palmiotti.

In this volume Little Red Riding Hood appears in Fabletown. Bigby Wolf, smells espionage and subversion – not survival. And Prince Charming begins his campaign to become the new mayor of Fabletown.

A Vertigo Valentine’s Day with couples to remember

This Valentine’s Day I asked the Vertigo editors to pick a few couples from both classic and current Vertigo titles that defy our expectations of coupledom. I hope you enjoy this unique twist on the holiday we love to not love.

Let’s start off with Will Dennis’ picks:

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DASH & CAROL RED CROW from SCALPED
I wouldn’t call them happy but they had a pretty good run. It’s hard when you are each other’s heroin...and you’re using heroin at the same time. I don’t think Hallmark makes a card for that.

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MATTY & ZEE from DMZ
Again another couple that’s off again/on again is probably not a model for Valentine’s Day romance. Still, when you live in a bombed out war-zone and each day could be your last, it’s nice to have a FWB.

SHELLEY BOND & JOHN CONSTANTINE
I never really saw them together since he’s a bit of a cad and sort of stuck in the Seventies. oh wait...now that I say that, it makes total sense. I really wish them the best in their new marriage and I look forward to more covers featuring Shelly. ya know, like iZOMBIE, DONOR, NEW YORK FIVE, CINDERELLA, etc, etc

In response Shelly Bond says, “That guy needs a reality show.” Here are her picks:

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SNOW WHITE & BIGBY WOLF from FABLES
She’s likely to be wearing a demure business suit.
He’s hirsute.
“Isn’t it Romantic?” By Rodgers and Hart
See where it all began in FABLES Vol. 3: STORYBOOK LOVE

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JOHN CONSTANTINE & EPIPHANY GREAVES from HELLBLAZER
She’s a 23-year-old smoking hot alchemist/gangster’s daughter
He’s a 58-year-old chain-smoking, pint guzzling, detective of the dark arts who’s still missing a thumb
“Heroes” by Bowie
See them get hitched in HELLBLAZER #275

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GWEN & ? from iZOMBIE
Monster Hunter, Mummy Guy or Mutt/Were-terrier?
One gorgeous blue-haired, violet skinned brain eater, so little time...left...that she can remember...
Get into it from the grave site in iZOMBIE: DEAD TO THE WORLD, out next month!)
“Love is the Drug” by Roxy Music

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FIG KEELE & HARRY THE HOUSE from HOUSE OF MYSTERY
An architecture student, Fig drew the plans for her dream house. Then she brought him to life as Harry the handsome bartender. It was all good, until it wasn’t as Harry was taken away.
“Take the L out of Lover (and it’s Over)” by The Motels
Enter the House via the latest trade UNDER NEW MANAGEMENT

Last, but not least, Karen Berger gives her picks:

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SWAMP THING and ABBY from SWAMP THING
He went to Hell and back for her—how could she not fall for the guy?

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JESSE CUSTER and TULIP O'HARE from PREACHER
The most dangerous couple in comics survived treachery, separation, death, and resurrection—if that’s not true love, then what is?

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YORICK and 355 from Y: THE LAST MAN
Turns out the woman of his dreams was by his side the whole time—his bodyguard—you gotta love it!

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BRAS and ANA from DAYTRIPPER
A romance of a lifetime unfolds over a lifetime in this time-bending tale, DAYTRIPPER—a one way ticket to an incredible love and life story just out now in trade paperback.

FABLES #105 exclusive cover reveal

In "Super Team" part 4, Ozma’s super team is ready to fight, but there’s a complication: Mister Dark isn’t the only one of the Great Powers on the warpath. The North Wind just blew into town with bad news for Bigby: His ghostly son must die. Talk about bad timing! Remember when Bigby promised his father that “The next time I come after you, I’ve made arrangements to make sure I’m able to Kill you”? That time is here! It’s father vs. son. Will Bigby survive one battle so he can help with the other?

Find out this May in FABLES #105, by Bill Willingham and artists Mark Buckingham and Steve Leialoha.

Now check out the cover by Joao Ruas:

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FABLES 101--You’re not gonna believe your eyes

Well, well, well, Mr. Willingham—I didn’t see it coming. As most of you know by now, Bufkin is one of my favorite characters from FABLES. He’s the super cute flying monkey that’s been stuck in the lost Business Office for quite some time with Frankie and the Magic Mirror. In this fantastic 101st issue, penciled by Eric Shanower, we find out what they’re up to and, like I said in the headline, you’re not gonna believe your eyes.

Here’s an exclusive first look inside:

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PETER & MAX Reading Group Guide

From the New York Times best-selling, Hugo Award-nominated, Eisner Award winning comic book series FABLES comes PETER & MAX: A FABLES NOVEL, written by Bill Willingham, with spot illustrations by Steve Leialoha. PETER & MAX tells the dark story of brothers Peter Piper, of Pickled Pepper fame, and Max Piper, the Pied Piper of Hamelin. Willingham deftly weaves an epic tale of good and evil, sibling rivalry, magic, music and a quest for revenge that spans from medieval times to the present day, from the heart of the Black Forest to New York City.

Full of vivid detail, imagination and adventure, PETER & MAX illuminates the breadth of Willingham’s knowledge of literature and his true storytelling ability. The novel further explores the vast universe of FABLES, which includes fourteen critically acclaimed volumes, the graphic novel 1001 NIGHTS OF SNOWFALL, and the spin-off series JACK OF FABLES and CINDERELLA.

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1.) Bill Willingham’s comic book series, FABLES, is full of wonderful characterizations. However, in PETER & MAX his use of description is much more elaborate. What do you make of his twist on fairy tales, nursery rhymes and tongue twisters such as “Peter Piper picked a peck of pickled peppers” and “Little Bo Peep has lost her sheep”?

2.) Remembrance Day is the biggest holiday in Fabletown. Why? What does it signify? (p. 89) What is the significance of 1928?

3.) What is Little Bo Peep’s real name? How did she get the name Bo? (p. 34)

4.) Willingham’s use of foreshadowing is evident when Max finds an arrowhead in a tree on the way to the Peep’s home. Max suggests that it may be “from an advance scout for an invading army,” but the adults shrug it off. What’s the significance of this occasion?

5.) At its heart, PETER & MAX is a story of good vs. evil, but it’s also a coming of age story. What is the impetus for Max and Peter’s feud/sibling rivalry? (p. 83, 84)

6.) How would you characterize Mr. Peep’s relationship with his sons? Do you think Mr. Peep made the right decision by entrusting Peter with Frost rather than giving it to his eldest son Max? Why or why not?

7.) Max is told several times by his father that he is a man at the age of 14. His father reminds him that with manhood comes great responsibility—chores and carrying a sword—but Max still grows rebellious and jealous of Peter. Do you think what Wilhelm says about Max is true? “He’s not a rational creature any more. I think his mind’s broken.…They just get too afraid and something snaps in them.” (p. 85)

8.) When Peter reaches the walled city of Hamelin it is already overtaken by the Empire. He enters easily, but cannot leave or get a job without a pass, cannot play music, even begging was regulated. What is Willingham saying about conquest?

9.) Peter can play Frost to make danger pass him by, but there is a consequence each time. What is that consequence? How many times does he use it? Do you think he uses it wisely?

10.) While behind the gated walls of Hamelin, Peter eventually fulfills his brother’s prophecy and becomes a thief to survive rather than die of starvation. Do you think Peter can be excused for his thieving? And for joining the brotherhood? (p. 155)

11.) Max meets a young witch in the Black Forest. She offers him a magical device of his choice and he picks a flute. What does he name it and why?

12.) The witch’s original intention is to use Max to seek revenge against the three knights of the road who insulted her. How many years does Max spend in the woods learning Fire’s secrets? (p. 211) Do you think the witch regrets how powerful he becomes?

13.) Bo and Peter become separated in the woods. When they finally reunite they’re both after the same thing, but by different means. To leave their current commitments and be with each other they must have vowed to a prior oath. What was that oath?

14.) What do you make of Peter’s marriage to Bo now? Is it out of guilt? True love? They have no children. Who will Frost be passed to?

15.) Peter goes back to Hamelin to find Max. He wants answers, but realizes he may never get them. Do you think the ending is appropriate? Do you think there is an alternative to this ending?

16.) Are Peter and Max similar in any ways? If so, how?

Vertigo’s First Prose Novel Becomes Vertigo’s First E-Book!

Yes, PETER & MAX: A FABLES NOVEL by Bill Willingham and with spot illustrations by Steve Leialoha is available today, as an E-Book priced at $9.99.

Based on FABLES, the New York Times bestselling, Hugo Award nominated, Eisner Award winning and one of the longest running comic book series published by Vertigo, PETER & MAX: A FABLES NOVEL tells the dark story of brothers Peter Piper, of Pickled Pepper fame, and Max Piper, the Pied Piper of Hamelin. Willingham deftly weaves an epic tale of good and evil, sibling rivalry, magic, music and a quest for revenge that spans from medieval times to the present day, from the heart of the Black Forest to NYC. Full of vivid detail, imagination and adventure, PETER & MAX illuminates the breadth of Willingham’s knowledge of literature and his true storytelling ability.

So get ready to download PETER & MAX: A FABLES NOVEL to your favorite device and take this magical story with you to lands near and far!

And if you’re still unsure and don’t have a crystal ball handy: you can read chapters one and two of PETER & MAX for free!

PETER & MAX is also available as a paperback priced at $14.99.

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