Cover Reveal:100 BULLETS DELUXE EDITION BOOK FOUR and HELLBLAZER VOL.5: DANGEROUS HABITS NEW EDITION

 

The Houses of Trust and the Minutemen prepare for the impending war in the deluxe edition of the acclaimed series 100 BULLETS collecting issues #59-80.

 

Make sure to pick up your copy of 100 BULLETS DELUXE EDITION BOOK FOUR, written by Brian Azzarello and illustrated by Eduardo Risso, on April 10th!

 

Here’s a first look at the cover by Dave Johnson.

 

Also in April, John Constantine is back with a new edition of a classic HELLBLAZER collection featuring several tales never before collected!

 

Written by Jamie Delano and Garth Ennis with art by Sean Phillips, Steve Pugh, Dave McKean, William Simpson, Mark Pennington, Malcolm Jones III and Tom Sutton, HELLBLAZER VOL.5: DANGEROUS HABITS New Edition, which collects issues #34-46, hits stores April 24th.

 

Check out the cover by Dave Johnson.

 

Jock on the cover of HELLBLAZER PANDEMONIUM

The cover to HELLBLAZER: PANDEMONIUM was a long time in the making - I'm guessing the first sketch was conceived at least a year before the final image was decided upon. In a similar way to the first issue of a series, but possibly even more so, a graphic novel cover has to have specific considerations as it will be on the shelves for a long time. This led to a number of different ideas and treatments before everyone was happy with the design. Myself and editor Pornsak Pichetshote and DC designer Louis Prandi all worked together up to the final stages to ensure everything - from paper stock right up to varnishes and finish - would look as good as we could possibly make them.

Here's some ideas and designs from along the way -

The very first promo piece - altered from a charity painting of Constantine I had worked on previously. This went out with the initial announcement of the project.

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Then we needed a placeholder cover for Amazon etc. cue a quick b/w drawing and simple colour and logo placement.

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I began work on the final cover wanting to utilize the full wrap around dust jacket. I always think this brings a cohesiveness to a book design and should be done wherever possible! I remember sending designer John J. Hill extra bits of art for THE LOSERS trades so he could make use of the designs.... but I digress.

I wanted a close shot of Constantine, but rendered in an interesting way. I wanted the disjointed style to speak for his depth of character. I also wanted an aesthetic that would sit well in bookstores alongside novels and I thought a strong headshot, with some nods towards the Iraq theatre of war where the story is set, would work well.

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A white background with a smaller figure, trying, pretty unsuccessfully I must say, to include some magical/Babylonian icons in there too.

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After sending these in, DC was keen to include our female lead, Aseera, in the cover and also show a little more context than just the close up face/figure. Here's a couple of designs from that time with various war elements and backgrounds. I like both of these but it was felt that we still needed a 'setting'... to show the Middle East and the Iraq tableau.

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Pornsak and I came up with the idea of a subtle nod towards the Iraq flag - made up of a red, white and black horizontal stripes. I tried this with some detail from the flag too. I liked how the green worked against the other colours, so we decided to carry that through to the title treatment. A green title against the red would really pop the logo.

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As we were losing the flag detail we included the silhouettes of temples to evoke an eastern backdrop. this, coupled with the green of the logo, became the final cover, seen here in the full wraparound version.

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A big thanks to Pornsak for his patience, and Louis Prandi for his great design. I hope you enjoy HELLBLAZER:PANDEMONIUM, out at stores now.

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n.b - Part way through the process i worked up this piece, using bullets to form a pentagram as an idea for a chapter break or end piece. Unfortunately, space was limited in the book but Louis came up with the great idea of using it on the book cover itself. Look for it inversed and embossed on the cover!

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Vertigo Graphic Connection

Good morning Graphic Content readers! Today is very snowy in the big apple—the perfect day to stay in your pjs and read a good comic book or graphic novel or some of the great reviews and features they’re receiving. So, if you’re catching up on the week today here some things you should know:

WIRED/Underwire interviewed Jamie Delano about the HELLBLAZER PANDEMONIUM original graphic novel set in the Middle East.

“Brian Wood month” continues. ENTERTAINMENT WEEKLY/Shelf Life reviews DMZ #50 calling it “an extremely clever comic book series that regularly transcends mere cleverness.” It was also reviewed by TIME/Techland, CBR and NEWSARAMA. UGO ran a preview of NORTHLANDERS #25, while IGN reviewed and COMICS ALLIANCE, CBR and NEWSARAMA ran features.

OTHER LIVES the new original graphic novel written and illustrated by Peter Bagge, due to arrive in stores this April, has received early praise from a couple of book trade publications. PUBLISHERS WEEKLY says “this is prime Bagge that will surprise readers with its artistic maturity and a plot that is in no way predictable,” and BOOKLIST says “Best known for chronicling 1990s Seattle slackers in the comic book Hate, Bagge now gives us a quartet of neurotic misfits. . . . [his] loopy visual idiom effectively reinforces the characters’ pathetic-but-humorous, self-delusional nature.”

Have a great weekend!

HELLBLAZER: PANDEMONIUM by Jamie Delano with art by Jock

One of the comic book industry’s iconic anti-heroes, John Constantine, the man who’s literally been to hell and back travels to the only thing worse than Hades’ realm—the frontlines of war.

Commemorating the 25th anniversary of his first appearance, HELLBLAZER: PANDEMONIUM (on sale in February) heralds the return of original HELLBLAZER series writer Jamie Delano as he sends Constantine to the darkest corners of the magic world. Joining Delano is fan-favorite artist Jock (The Losers, Faker), who for the first time illustrates an entire graphic novel in the style of his Eisner-nominated covers, for a dissection of war and terror in a horror story tailor-made for the 21st century.

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Here’s a preview:
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