Over on THE SOURCE, The DCU is celebrating 75 years of DC Comics by revealing a bunch of amazing variant covers. But these aren’t just any variant covers, they are of some of the most classic and iconic images from DC’s illustrious history re-imagined by some of the biggest names in the industry.

Well, GRAPHIC CONTENT couldn’t just sit back, so, along with THE SOURCE and THE BLEED, we’re all taking a look back today. We’ve asked some of our current writers and artists to pick their favorite DC COMICS cover, be it from the DCU, Vertigo or Wildstorm and tell us what it means to them.

So, without further ado, let’s read what they have to say!

My favorite cover would be ANIMAL MAN #5. Grant Morrison's early Vertigo work blew my mind in a way no comic ever had. And this issue of ANIMAL MAN, and this cover in particular, are perfect examples of the craziness and irreverence that inspired me to wanna write comics of my own. –Jason Aaron, writer SCALPED

Ronin Book One - Frank Miller. The comic shop was small and dark, located in the mall's basement, and this book, high up on the wall in the back, kept calling out to my 10-year-old brain. The color and design promised something strange and new, and when my older brother finally bought it, it didn't disappoint. For me, comics couldn't just be about superheroes any more. --Cliff Chiang, artist NEIL YOUNG’S GREENDALE

My fave is this or any other Basil Wolverton cover for PLOP Magazine from the 1970s (though Sergio Aragones designed the boarder images). I bought every issue of this title JUST for the cover, with no regard to what was inside -- the ONLY time I bought something regularly for the cover alone! --Peter Bagge, OTHER LIVES

I'm going to go for GREEN LANTERN #70, which I think dates from 1968. The cover, which was by Gil Kane, showed a tall, slender, subtly inhuman alien standing over the body of Green Lantern, and lamenting "But I only wanted to make him laugh... not die!!" The cover itself, which I saw long before I ever got to read the story, suggested in itself some terrible cosmic irony, and it preyed on my mind to the point where I must have gone through a couple of dozen scenarios in my head before I got to read the actual issue. That was what reading comics was like for me as a kid: an explosion of ideas vivid enough to derail reality. My mind was psychotically focused to the point where the actual story was sometimes frustrating because it killed a million possible alternatives. And cover artists played shamelessly to my demographic by producing images which were sometimes only tangentially relevant to content... --Mike Carey, co-creator and writer, THE UNWRITTEN

So many covers to choose from. Really impossible to choose a definitive favorite. There are so many contemporaries who light me up today, and so as not to alienate any of them I'll dig into the farthest deepest corners of my little kid memories to the Rose Elementary School carnival where I threw a fishing line over a wall and pulled back a rolled up copy of TEEN TITANS no.17 with a very psychedelic trippy character called the Mad Mod. Like a british and ghostly King Kong he loomed over London with Wonder Girl, Robin, Kid Flash, and Aqualad in his gigantic grip. It blew my mind Daddy-O! And continues to resonate in my fevered brain today. --Mike Allred, co-creator and artist I,ZOMBIE

KAMANDI #28 APRIL 1975 Art by JACK KIRBY
I missed all Jack’s DC comics in the 70's. DC imports were hard to find in the UK and I was only 8 when this came out. However in the late eighties, whilst I was at college and working on small press strips in my spare time, my friend/collaborator Chris Ski gave me a bunch of Kirby's DC comics. KAMANDI #28 was one of them. I fell in love immediately with it's style, dynamics and the vast cast of animal characters. This comic has been a treasured possession ever since. It frequently influences my work, most obviously in FABLES : THE GOOD PRINCE. As I write this it is still sat atop a pile of comics next to my desk. –Mark Buckingham, artist FABLES

SHADE THE CHANGING MAN #1 drawn by Brendan McCarthy. I know it’s terribly self-indulgent, but I’m going to choose a cover of one of my own books, by the inimitable Brendan McCarthy. It’s number one of Shade The Changing man and it brings back so many memories, not least of travelling across America looking for the “madness” of the country. I remember Brendan telling me he was putting in some Twin Peaks style picket-fences, representing the surface normality that the book so feverishly ripped apart. I don’t think he’d even seen the show at the time… --Peter Milligan, writer HELLBLAZER and THE BRONX KILL

ANIMAL MAN #5: The Coyote Gospel
Not just because of the amazing Bolland imagery that launched the most well-known meta-story arc in comics, but also because The Coyote Gospel is one of the most important single issues in my development as a creative person. This comic book still speaks truth directly to my soul. –Josh Dysart, writer UNKNOWN SOLDIER and NEIL YOUNG’S GREENDALE

SUPERMAN RED SON 3. I can’t tell if it’s my favorite DC cover ever, cause, well... I haven’t seen them all, but I saw this one a long long time ago, and it’s still fresh in my mind, even after all those years. Dave Johnson is a complete master on the cover art craft, and the way he uses design, colors, and comic language here, is just too phenomenal. –Rafael Albuquerque, artist AMERICAN VAMPIRE

Favorite cover? It's a tie- Dave Johnson's 100 BULLETS cover for the Once Upon a Crime trade paperback and issue #98 of 100 Bullets! Graphic, incredible and iconic! Dave Johnson is the best cover artist out in comicsland!” –Jill Thompson, DELIRIUM’S PARTY: A Little Endless Storybook

This one--not because it showed the "shocking truth about drugs!" but because when I was a young kid reading comics, Neal Adams was the first artist that really blew me away and made me realize there were actually real artists with names who drew these books. I devoured everything I could find by Adams and my goal of being a comic artist was set! –Peter Gross, co-creator and artist THE UNWRITTEN

My favorite is BATMAN #205. This included everything essential on the cover but completely broke the mold of the covers that came before and after. Totally stands out, even today. –Matt Kindt, REVOLVER

My favorite DC Comics cover was Joe Kubert's first DC Tarzan cover. I'd always been an Edgar Rice Burroughs fan and to see his greatest character realized so wonderfully in the comics format was just a special moment for me. And this issue was contemporary with a terrific DC Renaissance. Neal Adams and Denny O'Neal were doing their run on Green Lantern and Green Arrow. Jack Kirby had just come over to DC to do his Fourth World. It was a magic moment for DC in particular and comics in general. --Bill Willingham, writer FABLES

THE GNAWING, OR, THE LEGEND OF THE ALABAMA CORN SNAKE
by Matt Fraction

“Do you know the story of the Alabama Corn Snake? I swear I’ll never let it be forgotten and I’ll never let those words slip too far from my tongue. I’ll tell you, too, just after I tell you why I love SCALPED:

My favorite comics make me marvel over their construction. They look and feel and read like little watch-works, with points of view and perspectives so alien that the experience of engaging with them, of reading them and getting lost in their stories, feels like taking a trip somewhere in a new suit of skin. I read them again and again and each time is a joy because at no point does the writer in me pipe up to say anything more than, “Man... how did they do that?” I have no notes, I don’t see where it’s coming or going; I don’t think about how I would write them any differently. My favorite comics are so good I can actually read them and not just size ‘em up.

I’m not sure if you realize how much that little voice ruins stuff for people like me all the time but it happens ALL THE TIME.

So I was going to talk about SCALPED through that lens-- that it’s one of my favorite comics going, if not my very favorite, because, month in and month out I fall in love with the thing all over again. I’ve read the entire run a good half-dozen times now and reread the run every time a new collection like this comes out. What Jason Aaron and R. M. Guéra have here deepens and richens the longer it goes; it both remains great and becomes greater as it gains in size and sweep. I love this book. I love it, I love it, I love it.” --Matt Fraction, Portland, OR

Read the rest of Matt’s intro in SCALPED volume 6. Pick it up May 19 in comic stores or May 25 everywhere books are sold!

I’d recommend the latest issue of SCALPED cuz nothing says “Happy Holidays” quite like a gritty crime comic about a meth-addicted, under-cover FBI agent with a heroin junkie for a girlfriend, a murdered mother, and a pretend job as an enforcer for the local Mob boss who would not hesitate to kill him if he found out the truth. God bless us all...everyone!” –Will Dennis

PREACHER: Book One. Put the Christ back into Christmas with this kick-ass comic. One of the greatest series of all time. Period. –Mark Doyle

Miserable during the holidays? Feeling like you’re trapped with your family members who won’t leave you alone? Imagine being stuck with a bunch of strangers in a sinister house. Share your pain with the five lost souls who make THE HOUSE OF MYSTERY their home with Volume 1: Room and Boredom. –Angela Rufino

I'd like to recommend FILTHY RICH for your favorite incarcerated relative. –David Hyde

On a budget? I'd like to recommend CINDERELLA: From Fabletown with Love issues 1 & 2 to give to all those fun, fearless females in your life who think Cindy is just a feeble girl who can't keep her shoes on. –Pamela Mullin

Here are a few sketches by RM Guera from SCALPED #33 out in November.:

And here's the cover to #35 by Jock, a one off that will have art by Danijel Zezelj (LUNA PARK):