The 25th annual Anthony Award winners were announced on Sunday at the 2011 Bouchercon World Mystery Convention in St. Louis, MO. THE CHILL by novelist Jason Starr, with art by Mick Bertilorenzi and cover by Lee Bermejo, won in the category Best Graphic Novel.
COWBOYS, an original graphic novel, by Gary Phillips (author of the "Ivan Monk" detective novels) and artist Brian Hurtt with cover by Lee Bermejo hits comic stores July 13th and book stores July 19th.
The 25th annual Anthony Award nominees were announced today. Vertigo leads the 2011 BEST GRAPHIC NOVEL category with three nominees: Best Graphic Novel Sickness in the Family - Denise Mina – Vertigo Crime Beasts of Burden – Jill Thompson/Evan Dorkin – Dark Horse Richard Stark's Parker, Vol. 2: The Outfit –Darwyn Cooke - IDW Press The Chill - Jason Starr – Vertigo Crime Scalped Vol 6 - The Gnawing - Jason Aaron – Vertigo Tumor - Joshua Hale Fialkov/ Noel Tuazon - ARCHAIA STUDIOS PRESS
Written by BRIAN WOOD with cover by JP Leon DMZ Volume 9: M.I.A. takes Matty to a remote and desolate section of the city. Self-exile forces him to take a good, hard look at himself and his conduct since he entered the DMZ, and he doesn't like what he's seeing. His discovery presents him with an opportunity that he's tempted to take, but is the price too high?
Vertigo Crime has published works from the likes of authors Ian Rankin, Brian Azzarello, Jason Starr, Christos Gage and many others. Today, we add two more titles to the ever growing list of excellent crime/mystery graphic novels. In RAT CATCHER by Andy Diggle (The Losers) and artist Victor Ibanez, an FBI agent and a notorious mob hitman become involved in a thriller with a twist that keeps the action moving and the characters playing a high stakes game of cat and mouse.
AREA 10 is New York noir, from the forgotten subway platforms to the bloated, fish-chewed corpses dragged from the East River. It might surprise those who know me as a diehard Red Sox fan who grew up in Massachusetts, but I was born and spent the first five years of my life in the Big Apple, where my Dad was an investigative reporter covering the Mafia for the New York Times. I remember New York in the '70s as a place both wondrous and terrifying, and I tried to imbue AREA 10 with that feeling.
As an editor, sometimes you find writers who you just know are your type of, uh, writer. You know because you can throw any weird idea at them, and they come back with, “I think I’ve got something on that.” And then they actually do. That’s what happened with Christos Gage when, a few years back, I mentioned one of my odd little fascinations to him. I have quite a few, as it turns out. But for some reason, at this point in my life, I was intensely fascinated with things that go wrong with brains.