AMERICAN VAMPIRE Volume 1 Extras

Why Rafael Albuquerque is Amazing
(or How I Learned to Stop Worrying and Hire a Cover Artist)

We weren’t even thinking about him for the covers. We knew we wanted something that said “horror” but could also be literary and elegant too. We wanted a strong design that showcased a cool logo and the creator’s names. A daunting task. I thought about it constantly. We were throwing around a lot of names, some big names, some unknowns. But we certainly weren’t even considering Rafael Albuquerque for the covers—he was too busy kicking ass on the interiors.

Then he sent me an idea and I was blown away.

It happened like this: late Friday afternoon Rafael shot me an email, “…I don’t know what your thinking for covers, but I had an idea, something like this…” with these two sketches attached.

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Pretty hot right? Bold. Iconic. It looked like a book cover. Over the weekend I talked to Scott. He loved them too. Monday I met with Karen, Will, Ken Lopez and Richard Bruning. It was the fastest meeting I’ve ever had. We loved the layout and the concept. We thought maybe, since we were telling a dual narrative we should have a scene from each story, split by that killer logo, for the first five covers. Other than that, we loved it. No notes. Like Steve says in his introduction to the hardcover, referring to Scott’s outline for Avamp, “Why f--- with genius?”

Rafael took the note about the two scenes, chose Skinner’s gang waiting for the train, re-worked the Pearl image and we had our cover.

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I showed it to Scott and Steve, they loved it and that was it. Cut. Print.

So we included these two sketches (along with TONS of other bonus features like early character designs, variant covers, script pages and more!) so you could get a behind-the-scenes look at the birth of “American Vampire.” Enjoy!

AMERICAN VAMPIRE: What next?

Cycle 2 “Devil in the Sand” (issues 6-9)

In this story…

• We learn the secret history of Las Vegas, before it became the Vegas we know today (hint: vampires are involved).

• We meet the organization of vampire hunters that has been operating behind the scenes of history for centuries.

• We see how the descendents of the “House of Book” continue to seek revenge on Skinner Sweet.

• We meet a new character who carries a heavy burden and will play a major role in the future of the American Vampire universe.

• And there will be a betrayal, one that changes the relationship of Pearl, Henry and Skinner forever—and for vampires, forever is a very long time.

Enjoy!

#6 variant cover by Raphael Grámpa
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Brian and Riccardo, together again for the first time


NORTHLANDERS: METAL
is a story about Erik and Ingrid, two young lovers on the run, leaving a path of destruction and dead in their wake.

It’s “Bonnie and Clyde” with Vikings.

But it’s also a story about Brian Wood and Riccardo Burchielli. For over four years now, they’ve been giving you a twisted, alternate future NYC over in DMZ. A fantastic book set in the not-so-distant future, where everything is going wrong. But drawing bombed-out buildings for years and years can get to you. Brian gets to take a break from writing about that bleak place when he does Northlanders (or DEMO, or DV8 or any of the other countless projects he’s always cooking up…) but Riccardo has been trapped behind enemy lines in the DMZ.

Until now.

For the next five months, Brian and Riccardo are pulling a 180, bringing their amazing storytelling skills from the future, to the dark past. They’re telling a bloody Viking tale like nothing you’ve ever seen before in Northlanders. This is an early, dark time in Viking history where the Old Gods still appear to be stomping about, and Erik and Ingrid are swept up in their grand plan.

It’s a big, bold, bloody story and it all starts in Northlanders #30 with METAL!

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From the Editor's Desk: Mark Doyle--Creating a Cover, American Vampire #3

Creating a Cover, AMERICAN VAMPIRE #3

Coming up with a cool cover is hard. Rafael Albuquerque made things a little easier with AMERICAN VAMPIRE because he had the simple but brilliant idea of cutting the layout in half with the logo—two stories, two scenes, united by the logo. But it still takes a little work to make things perfect.

Rafael’s first sketch was a detail of a shop floor, covered in candy and blood, and a portrait of a sophisticated European vampire family on the bottom.

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We really loved the floor detail, the juxtaposition of candy and blood is just sickly weird. And the Eruo fam was cool, but we liked that sexy couple in the back, Bernard and Lucia, and since they figure prominently in this issue we wanted to bring them to the front.

So Rafael did another sketch.

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He brought our Euro-vamp lovers to the front (sort of echoes a certain, popular, tween vamp movie, no?) and included another idea for the top part. That’s Skinner relieving himself on the Mayor’s doorstep, shadows of two cops surrounding him. We thought that was a little much. Even for a Vertigo cover. Back to the candy and the blood and the floor. But we were still missing a final detail…

Rafael went back to the candy and blood, kept Bernard and Lucia front and center, then just added that last, final detail—the cigarette holder—the quintessential accessory for all those Jazz Age girls—even vampires.

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Now we have blood, candy, and a sexy vampire couple clearly set in the ‘20’s. Perfect. All you have to do now is read the issue and find out what it all means!

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From the Editor’s Desk: Mark Doyle on AV #2

“Time is the only constant for the living. It never stops…for the dead it doesn’t matter…and for the undead…”

American Vampire 2 hits the stands today and although the first issue was amazing and people loved it (“…fresh and original” EW, “…eerie and haunting” Huffington Post “…engaging and enthralling” Fangoria) issue 2 is bigger, badder and bloodier.

Way bloodier.

But as the writer (and narrator of this here tale) Will Bunting says, “it’s all about time…” Issue two spans decades. And as much as this series is about vampires and America and evolution—it’s really about time.

Skinner Sweet understands that. Wait until you see what kind of devilish things he does with his time. And the scary part? Scarier than vampires or gunfights or evil movie producers? Skinner has all the time in the world…

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(The above images were revealed at USATODAY.com)

A quick chat with Mark Doyle

I thought it would be fun to get to know some of the editorial group behind your favorite comics and graphic novels a bit better, so I started asking questions.

First up, Mark Doyle.

PM: What was the first Vertigo book you read?

MD: Sandman. I blame that book for my current occupation.

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PM: What was the first Vertigo book you edited?

MD: My first solo gig was Northlanders #17. Will Dennis was kind enough to hand me the amazing team of Brian Wood and Vasilis Lolos doing a one-off story where they break down the art of Viking single combat. It had amazing characters, awesome insight and history and it was a one-off—my favorite kind of comic. If you never read it, scour the back bins for that issue or check it out in the collection “Northlanders Book Three: Blood in the Snow.”

PM: Thanks Mark. And dont forget, NORTHLANDERS #24 comes out this Wednesday.

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From the Editor’s Desk: Mark Doyle on the cover of DMZ #49

"This issue changes everything..."

"After this nothing will be the same..."

"Everything you thought you knew about the DMZ changes now..."

You hear these kind of buzz statements all the time. But seriously? We mean it this time. It's not just buzz. I remember when Brian first pitched this idea to us a year ago. He said, "okay, this story arc 'Hearts and Minds' is going to put Matty through the ringer and just when he hits rock bottom we're going to drop a bomb on him..."

I didn't realize he meant literally. Check out that cover.

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Big scary mushroom clouds are never a good thing.

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This changes everything, folks. The next few years in the DMZ nothing will be the same and it all starts today with issue #49.

From the Editor's Desk: Mark Doyle

Problem: How do you entice readers to start reading a monthly comic with issue #21?
Solution: Make it look like #1.

Brian gets a lot of well-deserved praise for being a great writer. From the damaged streets of the DMZ to the frigid wastelands of Northlanders, Brian brings heart, drama and truth to all of his stories.

But he doesn’t get enough praise for being a great designer and artist too. The first 34 issues of DMZ? Those covers were all Brian. That bold logo? Brian. And the new trade dress for Northlanders? That’s Brian too. He really wanted readers to know, “yes, it’s okay to start here!” We knocked around a few different ideas, but ultimately what did he do? He took the Northlanders logo, kicked it to the side, designed a new logo for “The Plague Widow” and put that front and center. Slipped a “1 of eight” in there and suddenly you’re thinking, “Hey, what’s this comic? I’ve never seen this before, maybe I’ll give it a shot…”

See Brian thinks about this stuff. He talks to retailers and readers, finds out what works, what doesn’t, and incorporates all of it into his work, sucking you in to a unique comic experience from the logo to the last line of dialogue. Start to finish, you know you’re in the hands of an artist. Enjoy it.

BEFORE:
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AFTER:
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From the Editor's Desk: Mark Doyle

Here’s the thing—it’s got a twist ending.

I just started working with Will (Dennis, my boss, who I’m totally scared of) plus Brian and Ryan (Wood and Kelly, writer and artist, who I’m totally a fan of) on this Northlanders book and I’m wicked excited about it. But it’s got this twist ending. And there’s something in the first script that totally gives it away.

Imagine you’re a production assistant on “The Usual Suspects” and somebody refers to Kevin Spacey as Keyser Soze on page 15. Kinda like that. But I caught it, and we saved it. They must have appreciated it because now I’m editing Northlanders all on my own. Awesome. (Of course they won’t talk to me anymore for being such a know-it-all pain-in-the-ass, but, whatever, it’s cool.)

So check it out: Northlanders Volume 2: The Cross and the Hammer. It’s got Vikings, murder, tragedy and at the heart of it all a father and daughter on the run. Go buy it. See if you can spot the twist, before it hits you in the gut.

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