Annie Wu enters the HOUSE OF MYSTERY

Artist Annie Wu illustrates Jordan Mayer's directorial debut, "Mystery House," in HOUSE OF MYSTERY #41 out now. She took some time out to chat with us about some of her pop culture favs.

First comic book you remember reading: Either Old Master Q or 13-Dot. I'm sure it was some manhua my family gave to me.

Best music for making Jordan Mayer's film come to life: Tuvan throat singing over a sick beat. I'm only half-joking, because that would actually be pretty cool.

Favorite artist(s): I have too many favorites, but I've been looking at a lot of Bernini and Robert McGinnis lately.

Favorite Vertigo book(s): Y: The Last Man was a huge deal for my friends and me in high school. And I'm a late-comer to the House of Mystery party but it's been tremendously fun.

Last movie you saw that you can admit to: This just made me realize that the last films I saw in theatres and on Netflix were both by Buster Keaton -- Steamboat Bill, Jr. and Sherlock, Jr. Maybe I have a problem.

Guilty pleasure movie for rainy Saturdays: The edited-to-bits cable version of Showgirls, always.

Favorite book: I'm sure to change my mind, but let's just go with my childhood favorite, The Hitchhiker's Guide To The Galaxy. No, wait --

Most mysterious city you've been to: Hong Kong, for so many reasons.

Scariest/weirdest/nastiest part of living in NYC: The birds aren't afraid of people. And they keep trying to fly into my mirrored sunglasses.

Now check out a page from her story in HOUSE OF MYSTERY written by Matt Sturges.

CINDERELLA and more FABLES covers revealed!

Chrissie Zullo is back as the cover artist of the 2nd miniseries featuring our favorite secret-agent, CINDERELLA: FABLES ARE FOREVER.

Here’s the cover of issue #1:

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All I can say is WOW!

And here's a preliminary cover for JACK OF FABLES #50:

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Wonder if this'll be happily every after?

Now, we all know that Fables already have magical powers and use them, well, in their own clothes. So why has Pinocchio suddenly got it in his head that he needs to design tight fitting costumes for a carefully selected team of Fables? In fact, why was the little brat caught looking over his own comic book collection, mumbling things like, “We can call him Werewolf Man, and he can be the Golden Knight, and she can be called The Green Witch?”

Check out the cover of FABLES #102, the beginning of a 5-part story called “Super Group!”:

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Look for them in February!

Fans dress as Vertigo Characters for Halloween!

Dressed as DEATH from THE SANDMAN series by Neil Gaiman

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THE PHANTOM STRANGER from MADAME XANADU currently written by Matt Wagner

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All the way from the Cayman Islands, PAUL BUNYAN and BABE THE BLUE OX from JACK OF FABLES by Matt Sturges and Bill Willingham

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GUS from SWEET TOOTH by Jeff Lemire, who by the way, has written a piece about his comics career and upcoming run on Superboy over at brother blog The Source.

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And to top it off, check out this pumpkin carving!

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HOUSE OF MYSTERY #30 preview

There's so much happening in HOUSE OF MYSTERY #30 that it's nearly impossible to summarize. There's the thing with the witches, the bit with the monster, and then there's killer ribbon. So here’s a peek inside:

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Plus, this month’s short story Lotus Blossom’s Theory of Names is illustrated by French fashion illustrator Carine Brancowitz (Vogue, Elle)! Here’s a glimpse:

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House of Mystery preview and announcement!

The Witch Queen seems to think that Fig is very important, but the more time they spend together, the more the Witch Queen has her doubts in House of Mystery #28 written by Matt Sturges and artist by Luca Rossi. Plus, this month's short story is illustrated by cover artist Esao Andrews (FABLES: 1001 NIGHTS OF SNOWFALL) and stars the dearly departed Poet.

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And for those of you who haven't heard yet, the line-up of this October's HOUSE OF MYSTERY HALLOWEEN ANNUAL was announced at the FABLES panel at San Diego Comic Con. Get ready for an amazing collection of stories. To start it off, Matt Sturges and Luca Rossi introduce a group of eternal trick-or-treaters who will make there way through new Lucifer story by Mike Carey and artist Peter Gross, Madame Xanadu by Matt Wagner and artist Jill Thompson, izombie by Chris Roberson and artist Mike Allred, and Hellblazer by Peter Milligan and artist Guiseppe Cumoncoli.

What a treat!

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Forming a Fables Cult at San Diego Comic Con?

FABLES panels at San Diego Comic Con are always full of excitement. Last year Bill wrote a special one page story illustrated by Mark Buckingham which was handed out exclusively to those in attendance. Well, what’s in store for FABLES fans this year? FABLES writer extraordinaire, Bill Willingham gives us a hint:

“Do you like expressing your love and yearning for fictional characters who died heroically, yet tragically? Do you like being able to accessorize with a unique and eclectic item of chic apparel that can go with anything? Or do you simply want to score a fab piece of rare swag that's certain to be one of the most sought-after items of funnybook history? Then you won't want to miss this year's Fables panel at the San Diego Comic Con!”

Join us Saturday, July 23 from 6:45-7:45 pm at Fables Forum 2010
Featuring the creators behind Fables, Jack of Fables and Cinderella, this panel is sure to have plenty of surprises. Hosted by Group Editor Shelly Bond with Bill Willingham (Fables), Steve Leialoha (Fables), Chris Roberson (Cinderella), Matthew Sturges (Jack of Fables), Chrissie Zullo (Cinderella) and more. Room 6DE

And to hold you over until then, check out the stunning covers by Joao Ruas of FABLES 99 and 100!

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Vertigo Voices: House of Mystery #25-What is an Exquisite Corpse?

Exquisite Corpse by Matt Sturges

"In the 1920’s, a group of French surrealists, drunk on good wine and Hegelian philosophy, stumbled upon a curious literary parlor trick. Passing around a notebook, each writer would compose a bit of story—whatever came to mind—and then pass the notebook on. The results were interesting, nonlinear, and often surprising. During their first time out, one of them scribbled the evocative phrase, “The exquisite corpse will drink the new wine,” and thus was born a literary fad.

The Exquisite Corpse, as it thus became known, took hold among writers, and then artists and musicians as well, celebrating the Surrealist philosophy of subverting reason and thought and allowing the unconscious to run rampant across the creative landscape. It was an ideal expression of their belief that the associations thus unearthed were superior to those generated by aesthetics and cognition.

As you might expect, it was mostly total garbage.

Regardless, I always thought it would be a fun experiment to try in comics. And in what better forum to try it than the pages of House of Mystery, where trying weird stuff has become something of a hobby for us?

Once I conned my editor into agreeing to do it, we set about gathering a collection of clever scribes who’d be willing and able to take on the task. We started with Bill Willingham, who’s always up for mischief. We took a chance on the unknown-to-comics Dave Justus because he’s clever and devious and a damn fine writer. We roped in the legendary Paul Levitz, because it seemed like a good idea to lend some respectability to the project, and we rounded out the circle with novelist (and former Vertigo editor) Alisa Kwitney, in order to class up the joint.

We decided to bend the rules a bit, for the sake of comprehensibility. Willingham would start a story, and then pass it on to the next writer. That writer would be able to read everything Bill had written, and then add to it. The next would be able to read everything that came before and keep things going. That way, I hoped, we’d end up with something that hopefully made some kind of sense, rather than a random collection of drivel which, while it might have been…interesting, might also have been a colossal disaster. And just to be on the safe side, I decided to go last, thinking that with everyone else’s contributions in front of me, I’d be able to wrap it all up in a nice, tidy bow.

But there was a problem with that idea. See, Bill Willingham is not a nice man. And given the opportunity, he will go to great lengths to make you suffer. So when he started his tale, he decided to go full bore and write the next guy, Dave, into a bit of a corner, plotwise. Dave, seeing the fun in this, took what Bill had begun and passed it on, writing Paul into an even tighter corner. Paul ably made things much worse for Alisa, who decided to plant the coup de grace and put me in a position where I was pretty much totally f’d.

See, this story is supposedly set in the continuity of House of Mystery, sandwiched between issues twenty-four and twenty-six. Somehow I had to take the horrific scenario that they’d dealt me and resolve it in a way that a) made sense, b) got everything back where it was supposed to be, and c) wasn’t a cheat.

The last was the hardest by far. Given the damage that these inspired literary hooligans had caused, there didn’t seem much of a way out of it beyond, “And then they woke up to discover that it had all been a nasty, frightening dream.” But that isn’t how we do things around here. The ending had to make sense, it had to follow from what came before, and most importantly it had to not suck.

(In situations like this one takes comfort in that fact that, in comics, a talented artist can hide any number of sins. Thanks, Luca.)

Did we succeed? Did we come up with something that wasn’t just a parlor trick, but actually, you know, a coherent story? I leave that to the discerning reader to decide. If nothing else, you’ll never be able to hear the phrase “eat your heart out” again without feeling a bit queasy. In horror fiction, we call that a win.”

Come back tomorrow for a sneak peek at HOUSE OF MYSTERY issue #25 on sale next Wednesday, May 5.

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