Art is alive. It has a soul. It breathes as it speaks and provokes. And sometimes it freaks out, escapes from its frame, and tears through lower Manhattan on a vodka-and-red-bull binge.
Yesterday, some of the artists who worked on THE SANDMAN shared their first memory of THE SANDMAN. In today’s installment of the 25 Days of Sandman we asked the artists to share their favorite panel from this monumental series and to describe what it means to them. Some chose their own art while others spoke reverently of their peers.
Take a look at the gallery above and match the artwork with the description from the artist.
This week’s Tuesday Tonic is a salute to Truman Capote’s Black and White Ball. Why? Because there’s nothing quite as captivating as the graphic power of high contrast. FAIREST #2, page 18 Pencil by Phil Jimenez, Ink by Andy Lanning When this page popped up on my screen, I practically took flight. it rocketed my chair backwards, punching me through the office walls of a moody colleague (Hi, Will!) and top DC executives. But don’t start a pity party collection on Kickstarter. I’ve already paid the piper and the ride was worth it.
Hey! Lucky you. You’re just in time for a Tuesday Tonic! The definition may vary from week to week, but you can be sure that at the very least, it will be “ An invigorating, refreshing, or restorative agent or influence.” and/or “The first note of a diatonic scale; the keynote.” If you stopped by yesterday, you know the official drill. Each Vertigo editor is assigned one day per week to post the most sordid, scandalous, sanctimonious scraps of ephemera that best exploit the inner mechanics of his/her own comic book arena. In other words: If it’s in my proverbial clutches, it’s fair game.