From The Editor’s Desk: Karen Berger

Ontogenesis or Onto Genesis? That Mike Carey is awfully clever, not only when it comes to creating catchy titles for storylines, but for also crafting a series month-in-and-month-out, with co-conspirator Peter Gross, that is a prime example of why Vertigo publishes the best comics around. Where else can you find a comics story that takes you back to the birthplace of our incredible medium and most importantly to meet Miriam Walzer, a comics writer and artist who uses Greek myth as a parable to an adventure story starring the deliciously strange, The Tinker?

ON THE LEDGE With Mike Carey and Peter Gross

PG: It's no easy task getting each issue of THE UNWRITTEN out on time. You would not believe how quickly four weeks flies by when you're making a comic. So it makes no sense whatsoever that Mike and I decided to go bi-weekly for 5 months and put out 10 issues instead of the normal 5. And yet, given the way THE UNWRITTEN has developed it makes perfect sense... MC: It was a habit we got into back when we were working on LUCIFER.

Mike Carey Celebrates Halloween Vertigo style

Mike Carey, writer of THE UNWRITTEN, and I talk about Halloween and who he'd be if he were to dress up as a Vertigo character today.

PM: Pumpkin seeds, pumpkin ice cream or pumpkin pie?

MC: Any of the above, so long as they're certified pumpkin-free.

Corn maze or haunted house?

MC: Haunted house.

Trick or treat?

MC: Treat. Is that a trick question?

What’s your favorite Halloween tradition?

THE UNWRITTEN #29 Preview

Tom, with the help of Lizzie, enters the journals of Wilson Taylor. While there, he learns that something horrible happened to Milton Jardine, the man whose name Miriam Walzer was using as a pen name. And Tom is shocked when he goes looking for Miri in present day.

On to Genesis continues in THE UNWRITTEN #29 this Wednesday!

First Look inside THE UNWRITTEN #28

While the cabal continue their seemingly motiveless murder spree, Tom Taylor researches his father's journals to uncover the secret connections between Wilson Taylor and his deadliest enemy, Pullman--as well as a hint at an eighty-year-old mystery that could be a clue to Tom's own nature and origins.

Check out the two page spread below from THE UNWRITTEN #28, in stores tomorrow, with art by Peter Gross and Vince Locke. The setting is 1930s Brooklyn, NY--the Golden Age of a new artistic medium and the birth of a new type of hero.

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