Josh Dysart picks his 3 favorite pages from UNKNOWN SOLDIER Vol. 2

THREE OF MY FAVORITE PAGES FROM THE UNKNOWN SOLDIER Vol. 2: EASY KILL (on sale March 17 in comic stores and everywhere books are sold March 23) by writer Josh Dysart

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The title of this post isn't totally accurate. It was impossible for me to pick three pages that were my absolute favorites. Both Alberto Ponticelli and Pat Masioni produced so many wonderfully vibrant and dramatic images that it took me all day just to decide on the three I have here. In doing so I turned my back on some truly magical moments in this book. But here's my best shot at it anyway. I can only hope you see them for what they are. Three little pills... gateway drugs to a book that's out there on the shelves now, a book filled with 191 pages of beautiful comic book goodness.

Issue 7, Page 3/Volume 2 Page 9
I know this isn't the most visually stylish page you'll find in our trade, but I love it a lot. Why? Because I miss east Africa. I miss it with all my heart. And once and a while Alberto and I find some space in our racing narrative to take a deep breath and show it. Really show the truth of everyday life there. Here Alberto accurately paints a a picture of modern, urban Africa. The kind of image we rarely get to see in our media. A bustling town on a Friday night. Kids having a glorious time in a raging Kampala discotheque. The text on top explores the differences between the rural ethnic groups and the urban ones, and then that last panel brings it all home. This is not only one of my favorite pages, but Issue seven, titled BETWEEN HERE AND THERE, is one of my favorite single issue comic books I've ever written. This page is wonderfully colored by Oscar Celestini.

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Issue 9, Page 17/Volume 2 Page 67
Here it is. This is a muted pallet "dream" panel, as Moses weighs the wight of killing a celebrity to bring attention to the war in Northern Uganda. This page sums up the idea of the entire story arc, but it was a last minute addition and the product of intense and pure collaboration. Pornsak Pichetshote, my fearless and amazing editor, kept saying we needed to sell the idea of the arc more. We weren't quite communicating how Moses could take this idea of killing a celebrity seriously enough. I think we were maybe about three drafts into the script for Issue 9 before we came up with this page. Often it's the simplest answers that elude you the most. Would you, Moses, rather kill an endless sea of children? Or one rich woman. What is a life worth, and who are these celebrities we value so much more than the nameless, faceless victims of tragedy around the world? Again, beautifully colored by Oscar Celestini.

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Issue 13, Page 16/Volume 2 Page 160
Pat Masioni (the first African Cartoonist published by a North American Comic book company) did the art chores on the last two issues in the trade and brought something to this book that Alberto or I never could. A distinctive cultural style. When you couple that with Jose Villarrubia's magic colors, which seem to convey the light of equatorial Africa more truly than any attempt at realism ever could, and the reoccurring theme in our book of children using art therapy to overcome Post Traumatic Stress Disorder, you get the start of one of my favorite sequences in the whole book. The story of Paul's abduction by the LRA and subsequent march to the Sudan training camps. This sequence is the closest to reporting the absolute realities of the conflict, free of any artifice, that this series has ever gotten.

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The art in this book is wonderful. It's all so visceral and genuine and stylish. I can honestly say that the second Unknown Soldier trade is the work I'm most proud of to date. It's meaty and rich and sprawling and novelistic and I can't help but feel that Alberto and Pat and Oscar and Jose and I have managed to really do something amazing. I hope you give it a shot.

Thanks for reading.

Who is Pat Masioni?

Note: This piece will appear in UNKNOWN SOLDIER #13 on sale 10/28.

It was early in the life of this series when we started kicking around the idea for finding an artist from approximately the same region as the book takes place to fill in for Alberto when the time would finally come for the Italian stallion to have a much-needed break. But locating the perfect person for the job was no easy task. A lack of exposure to artists from that region of the world and the extremely jarring, culturally specific art styles of those we did find made the search difficult to say the least. But eventually we did discover our man – Pat Masioni, from the Democratic Republic of Congo (DRC). He's from a little further west than where our book occurs, but once you hear Pat's story, in his own words, you'll understand why he was the best choice for this mini-arc.

Let me say in advance that Pat wasn't entirely comfortable talking about the harder aspects of his life, and it took some coaxing to get as much from him as we have. Also, a very special thanks to Antonia Neyrins, a personal friend of Pat's and, now, ours, for assisting with all of our translation needs. -- Joshua Dysart

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My name is Patrice Masioni Makamba. I am Congolese, born in Mikusi, Bandundu province in the early 1960s, to the Mbala tribe, and I do not exactly know when I first started drawing -- from the moment I could hold a pen, I imagine.

I published my first drawing at 14, supported and recognized by two Spanish priests who helped my family financially support my studies.
Through their grace I learned painting, ceramics and sculpture in Kinshasa and eventually created a ceramic bas-relief for the cathedral in anticipation of the first visit by Pope Jean Paul II there. These priests, they gave me the tools I needed to live, and I am deeply in their debt for this.

It was not long before I was a professional illustrator and doing quite well for myself. My books were big sellers, and my name was not unknown. Mostly I worked on religious books, but I also published political cartoons in newspapers.

Art had set me free from poverty and obscurity, but it wasn’t long before it also brought me trouble. Over the course of my life as an artist in Kinshasa, DRC I was arrested on multiple occasions, sometimes by child soldiers. I have been beaten for my drawings. And yet, still, others suffered worse. People disappeared. People died. I have seen things no one should see, things I’ll never forget. In 2002, after receiving death threats from people with the will and power to back them, I - literally overnight – fled for France and began the hard path of the political refugee. There was no time to consider this decision.

It was extremely difficult to start over in another country. My past, my family, my friends, my home and money, they were all gone. Over time I rebuilt a reputation as an illustrator in France, found an apartment and had my family join me, but it wasn’t easy. The culture here is very different from my own (the French sense of humor is a mystery to me), the struggle to assimilate is constant and it reminds me of how much I miss my home. I very much look forward to becoming a French Citizen so that I may return to DRC to visit, safe and free.

I have been very happy to be working on UNKNOWN SOLDIER. I can feel from inside the story. Sometimes, it reminds me of my past, and true situations I’ve seen with my own eyes. Joshua Dysart’s script depicts a notable reality, and I feel free and expressive in drawing them, all while adding a touch of African style to the endeavor. I can only hope that American audiences come to care for the truths these stories speak to.

I can define myself as a politically engaged illustrator and a world citizen. I am proud that you have elected Barack Obama as your president, and I hope to visit and discover your country one day.

- Pat Masioni

Pat Masioni started off as a professional illustrator in Democratic Republic of Congo, where his books sold more than 250,000 copies. Since arriving in France, he’s published graphic novels on the war in Rwanda and has been illustrating “Samba Diallo,” a well-known comic published in the French-speaking African magazine Planète jeunes.

Unknown Soldier #13--New Artist

Accompanied by a former child soldier, the Unknown Soldier begins a journey across the most intensive expanse of the war zone Moses has experienced yet. But what's on the other side for these two? Redemption for their killings—or damnation?

UNKNOWN SOLDIER #13 begins a 2 issue arc with the art of newcomer Pat Masioni, originally from the Democratic Republic of Congo. Want to know more about Pat? Read the next post. But while you’re waiting, here’s a preview of his work on issue #13 with cover by Dave Johnson:

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