Morgan Spurlock introduction to DMZ volume 8

We're lucky here in the United States. There hasn't been a war fought on American soil in more than 145 years. We've been distanced, protected, and made safe from the fear and horrors of war, especially from the possibility of having one in our own backyard.

When you go home tonight, turn on one of our Big 4 TV news networks and see how much coverage is actually dedicated to any of the ongoing struggles happening beyond our borders. In the United States, we have helped support and create a government and a media machine that puts us in a bubble, reinforces a xenophobic view of the world, and puts all of our troubles "out of sight and out of mind."

But all that stops in DMZ - and I find that to be the bravest and most important part of this revolutionary series.

Insurgencies. Suicide bombers. Nuclear Armed States. These are all scary scenarios that could be ripped each day from the world's top stories, but in the hands of Brian Wood, they create something much more frightening.

Rogue nations, outspoken dictators, private contractors and heartless mercenaries all find a place in the pages of DMZ. They open our eyes and our ears to events that, while fictional in the frames of this groundbreaking creation, are links in the chains of our global existence. Each story, each character and each page is undeniably tied to the world in which we live, and for me ­ that is DMZ's greatest triumph.

It would be easy to continue to go through life with blinders on to shield us from the ugly truths that, to this day, still send brave men and women to fight overseas. Soldiers, who we're told, are fighting "over there" so we won't have to here. By the time this hits the newsstands, more than 2,000,000 Americans will have fought either in Iraq or Afghanistan Š a number that makes the stories of DMZ all the more terrifying, all the more plausible and all the more realistic.

What these books also do, especially the series that you are about to read, is bring into question the influence and power of hope. DMZ, like our own world, has been overshadowed with the beliefs that certain men and women, when given the chance, would reshape the course of human history. They would right the wrongs that had come before them and cut a clear path toward harmony. Citizens put their faith in these outspoken people, and now, as tensions mount both here and on the world¹s stage, we all stand poised to see if they will rise to the challenge we have given them, or if Icarus will fall to the ground.

When you read "No Future" and "Hearts and Minds," you will unquestionably draw parallels to questions in your own life, but what I hope happens more than anything else, is that in some small way, you actually start to find some answers.

--Morgan Spurlock, documentary filmmaker (Super Size Me), television producer and screenwriter

DMZ Volume 8: Hearts and Minds is on sale next Wednesday!

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DMZ hits #50?

On Wednesday, we teased a few images from a project Jim Lee, Rebekah Isaacs, Fabio Moon, Ryan Kelly, John Paul Leon, Lee Bermejo, Philip Bond, Eduardo Risso and Dave Gibbons are all working on for Vertigo in 2010. Well, if they piqued your interest, you’ll be happy to know, (if you haven't guessed already or were sly like CBR/ROBOT 6), they’re from DMZ #50. That’s right, I said 50. Can you believe it? In February we'll be celebrating this milestone with an amazing issue which includes 5 self contained stories and 5, what I'll call, character studies.

Here are a couple more sneak peeks. Enjoy!

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Rebekah Isaacs

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Ryan Kelly

From the Editor's Desk: Mark Doyle

Here’s the thing—it’s got a twist ending.

I just started working with Will (Dennis, my boss, who I’m totally scared of) plus Brian and Ryan (Wood and Kelly, writer and artist, who I’m totally a fan of) on this Northlanders book and I’m wicked excited about it. But it’s got this twist ending. And there’s something in the first script that totally gives it away.

Imagine you’re a production assistant on “The Usual Suspects” and somebody refers to Kevin Spacey as Keyser Soze on page 15. Kinda like that. But I caught it, and we saved it. They must have appreciated it because now I’m editing Northlanders all on my own. Awesome. (Of course they won’t talk to me anymore for being such a know-it-all pain-in-the-ass, but, whatever, it’s cool.)

So check it out: Northlanders Volume 2: The Cross and the Hammer. It’s got Vikings, murder, tragedy and at the heart of it all a father and daughter on the run. Go buy it. See if you can spot the twist, before it hits you in the gut.

Vertigo Graphic Connection

PUBLISHERS WEELKY reviewed NORTHLANDERS Vol. 2 calling it “An effective psychological portrait of the two main characters in a highly enjoyable book that is as smart as it is action packed.”

On Wednesday NEW YORK MAGAZINE/Vulture ran a preview of THE NOBODY. If haven't already seen it, you should definitely take a look!

NYLON GUYS MAGAZINE July issue has a great interview with Jeff Lemire about his job before taking on comics full time and designing the cover of the Art Brut vs. Satan album cover.

No Future for DMZ?

So, that PETER & MAX excerpt is pretty amazing, right? Well, on our first day we had to give you something extra, so we’ve also got a peek at DMZ #42, which goes on sale today, by Brian Wood and Ryan Kelly with cover by John Paul Leon. "No Future" is the beginning of a 3-part story probing an infamous DMZ death cult housed in the city's tallest building.

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