"Hot damn, that's some fine eschatology!"--BOING BOING on SWEET TOOTH v3

Had to look up the word eschatology? Don't worry, so did I. According to Webster's Dictionary it's defined as "any system of doctrines concerning last, or final matters, as death or the afterlife." And it's the perfect word to describe Jeff Lemire's outstanding comic book SWEET TOOTH.

Cory Doctorow continues to rave about Jeff Lemire's SWEET TOOTH v3: Animal Armies on BOING BOING saying it, "is a most excellent continuation of one of the best apocalyptic comics currently underway."

If you haven't read SWEET TOOTH yet, this just may be the time to start!

17898_180x2701

SWEET TOOTH VOl. 3 on sale now!

Jeff Lemire’s epic story about an orphaned young boy with antlers and a love of chocolate wows readers on a monthly basis. In SWEET TOOTH Vol. 3: Animal Armies, collecting issues #12-17, Gus and the other hybrid kids meet a new ally in the militia camp, but will he help them find a way out? And Jepperd begins to assemble an army of his own to take down the militia camp. But can he control the forces he's set in motion?

17898_180x270

“SWEET TOOTH is like Mad Max with antlers. . . . spellbinding and offbeat.” –USA TODAY.com

"Like a Coen brothers road-trip drama, "SWEET TOOTH," by indie comics fave Jeff Lemire, is a fantastic post-apocolyptic comic.” —AM NEW YORK

“Excellent.” –USA TODAY/POP CANDY

“Jeff Lemire’s amazing postapocalyptic comic SWEET TOOTH: bloody and gentle all at once.” –New York Magazine (Approval Matrix Lowbrow/Brilliant)

“Sweet Tooth is a grabber from the get-go . . . Lemire retains his gift for imbuing ordinary moments with a sense of wonder.” –THE A.V. CLUB

“One of comics’ finest current books.” –ENTERTAINMENT WEEKLY

“Sweet Tooth is a quirky and intelligent story; thoughtful but unflinching, a coming-of-age fable punctuated with hardcore violence. There are poetic moments, as when Gus suddenly comes face-to-face with a full-grown buck in the woods. There are also disturbing and shocking scenes worthy of, say, The Road Warrior. . . . Lemire’s text is densely crafted, with nary a word wasted, and a perfect complement to his spare, sketchy artwork.” –SCIFI DIMENSIONS

No matter how many times we might have seen the post-apocalyptic tale in comics, Lemire makes it seem fresh again. . . . It's the fusion of Lemire's art and writing that make this series function so smoothly and elegantly. . . . Captivating, elegantly sparse world of SWEET TOOTH.” –IGN

Find out what the critics are raving about. Pick up SWEET TOOTH Vol. 3 on sale now.

SWEET TOOTH "Winter Gear" design sketches by Jeff Lemire

Jeff Lemire, fashion designer?

Out in the snow and freezing cold, the characters of SWEET TOOTH need some warm clothes to bundle up in. So leave it to the amazing Jeff Lemire to dress them in cozy coats and scarves. Jeff shares some of his “winter gear” design sketches with us as the Endangered Species storyline begins in issue #20 on sale now.

Gus and Jepperd
gus-and-jepperd-winter-gear

Lucy and Becky
lucy-and-becky-winter-gear

Singh and Johnny
singh-and-johnny-winter-gear

Wendy and Bobby
wendy-and-bobby-winter-gear

Walter
walter-head

SWEET TOOTH #19—with special guests

This month writer/artist Jeff Lemire is joined by indie superstars Matt Kindt (REVOLVER, Superspy), Nate Powell (Swallow Me Whole) and Emi Lenox (Emitown) for a special stand-alone issue of SWEET TOOTH that is not to be missed.

Each writer/artist contributes stories alongside Jeff Lemire for a unique look at Lucy, Becky and Wendy as they go off to collect firewood for the night. Through these vignettes we see glimpses of their past, all of which reveal something more about the mysterious plague that decimated America.

Here’s a look inside:
SWTO_Cv19.indd
Art by Jeff Lemire:
swto_19_dylux-1-copy
Art by Nate Powell:
 
swto_19_dylux-7-copy
Art by Emi Lenox:
swto_19_dylux-10-copy
Art by Matt Kindt:
 
swto_19_dylux-18-copy

Pick it up Wednesday, March 2nd.

SWEET TOOTH #18 Exclusive Preview

Jeff Lemire is extremely creative. As writer and artist of SWEET TOOTH he’s trying new techniques all the time and issue #18 is the perfect example. Told horizontally with text and illustrations, the conclusion to Animal Armies is reminiscent of a children’s storybook.

Here’s a glimpse inside so you know exactly what I mean:

swto_cv18-copy
 
swto_18_dylux-1
 
swto_18_dylux-2
 
swto_18_dylux-3
 
swto_18_dylux-4
 
swto_18_dylux-5

GRAPHIC CONNECTION: SWEET TOOTH in the news!

Today, Jeff Lemire was chosen as one of USA TODAY/Pop Candy's’s Top 100 People of 2010, hitting the list at #41!

And earlier this week NEW YORK MAGAZINE/Vulture chose SWEET TOOTH as one of the Best Graphic Novels of 2010!

More fantastic coverage on Jeff, SWEET TOOTH (Volume 2 is on sale now!) and his DCU project SUPERBOY can read at TIME/Techland, USA TODAY/POP CANDY, Io9, AOL/COMICS ALLIANCE, WIRED/UNDERWIRE, COMIC BOOK RESOURCES, CRAVE, SCRIPPS HOWARD NEWS SERVICE and PUBLISHERS WEEKLY/Comics Week.

The color of SWEET TOOTH by José Villarrubia

More than I decade ago my friend Stephen John Phillips suggested that we collaborate in the artwork for a new graphic novel, a fumetti about a harem. I did not know that this would be the beginning of a long work relationship with Vertigo. Of course, I had been aware of the imprint since its inception and enjoyed the bulk of its titles, as I matter of fact I used to buy all of the books that Vertigo published! But I was not sure if there would be other projects after this first one∑ Well, lo and behold, there have been many!

I ended up coloring the (mis) adventures of Japanese teenagers, a biting satire of the American wars, and a riveting autobiographical story about Castro's Cuba. Now I find myself practically married to the post apocalyptic tale of a young boy with antlers! My friend Jeff Lemire has crafted a modern classic and I am honored to be a part of it. Like my dear first comics collaborator, Jae Lee, Jeff knows how to let the artwork breathe, how to let the color tell the story and not dictate every detail that happens on each page. These things make the coloring process delightful. He also gives me free reign with the color choices, making broad suggestions but allowing me to divert from them if I think it necessary. I really feel that I contribute to the narrative with expressive chromatic notes, emphasizing (or deemphasizing) sequencences according to their emotional content. Jeff is a very effective storyteller in black and white, as a matter of fact I cannot imagine Essex County in color, but I also cannot imagine Sweet Tooth in black and white.

José Villarrubia

SWTO_OOTDW.cvr

SWTOIC_cvr.indd

Pages

Subscribe to sweet tooth