Sarah Glidden and Dean Haspiel in NYC tomorrow night!

Join

Sarah Glidden, author/artist of HOW TO UNDERSTAND ISRAEL IN 60 DAYS OR LESS

and

Dean Haspiel, artist of CUBA: MY REVOLUTION

at

Heeb Storytelling: The Live Comics Edition

Tomorrow, December 21 at 7:00 pm, $15

Joe’s Pub at the Public Theater

425 Lafayette St (between Astor Pl and E 4th St)

More info can be found at TIME OUT NY: Things to Do

And if you haven’t seen it yet, this week’s double issue of ENTERTAINMENT WEEKLY includes HOW TO UNDERSTAND ISRAEL on The Best Non Fiction Books of 2010 list and an exclusive comic by Dean Haspiel in remembrance of Harvey Pekar (The Quitter).

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Editor Jonathan Vankin remembers Harvey Pekar

HARVEY PEKAR 1939-2010

Harvey Pekar was the first writer I brought into Vertigo. My first week on the job. Needless to say, I was pretty excited.

Now it’s six years later and suddenly, Harvey is gone.

I’m still in shock. I knew about his health problems, but somehow, Harvey seemed like one of those guys who would just keep going and going. When we worked together, Harvey called every day. He read every script over the phone before he mailed it. (He always mailed it. The U.S. Postal Service could count on Harvey.) The first graphic novel he wrote for me was called THE QUITTER. The title was right for the book, but not for the Harvey I knew.

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When I was editing his latest and as it turned out, last issues of AMERICAN SPLENDOR and had a two or three-page hole to fill, I called him. He often had a call with a different publisher going on his second house line, or a jazz disc on the turntable for a review he was writing.

But within an hour (usually quicker), he’d call back and read his new story to me. Nothing could stop him. It never even occurred to me that anything would. His comics were not “about” his life. They were, quite literally, his life. In pencil and ink.

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So we now live in an America without Harvey Pekar, a place that for me becomes just a little more difficult to figure out. We produce, in this country, very few of those voices that can give us a bit of guidance through this maze of life.

Now we have one less.

Harvey created a new kind of comics. Call them "graphic memoir," "indie" or whatever, they were comics for anyone who’s ever looked in a mirror, seen a less-than-perfect person, then gone on with life anyway. Harvey made comics into art for the people. For you and me.

He leaves an enormous body of work. But Harvey also leaves us a trust, that his art for the people will keep going and going. I hope that all of us who read, love and create comics remember to keep that trust.

Now that he’s no longer part of my life, I hope I will.

At least I’ll try to do what you would do, Harvey. The best I can.

---- Jonathan Vankin

HARVEY PEKAR (1939-2010)

Best known for his legendary autobiographical AMERICAN SPLENDOR series, which was published independently and also by Vertigo in recent years, Harvey Pekar was a unique and definitive voice in the industry that will never be replicated. We’d like to take a moment to share one of Pekar’s contributions to DC. A page from a story titled “Bizarro, Shmizarro,” which was collected in the BIZARRO WORLD HC and features art by frequent collaborator Dean Haspiel. We send our condolences to the Pekar family and his many friends and fans around the world.
– Dan DiDio and Jim Lee

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Harvey Pekar dies at 70

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"I am terribly sad today. Working with Harvey Pekar was one of my first experiences at Vertigo and it's still one of my best, not only in comics but in my life. Underneath the well-known gruff exterior, Harvey was a deeply compassionate person and of course, a brilliant mind. He created, almost singlehandedly, an entirely new kind of comics and his commitment to what he did was absolute and uncompromising. We've all suffered a huge loss today, in comics of course, but also in American culture."

--Jonathan Vankin, Editor

A quick chat with Jonathan Vankin

I've been asking the likes of the 7th floor to recall some key Vertigo memories. You can see my conversations with Will Dennis here and Mark Doyle here. Now, it's editor Jonathan Vankin's turn.

PM: What was the first Vertigo book you read?

JV: Hmm. Good question. There were so many! I lived in Japan from 1993 to the end of 1995, so Vertigo didn't appear on my personal radar until sometime in 1996. One of the first I can remember from around that time was a 4-issue mini-series called "The Unseen Hand," written and drawn by Terry Laban. It wasn't one of the better-known Vertigo books to say the least, but I'm a sucker for the "paranoid thriller" genre and I got a big kick out of it.

PM: What was the first Vertigo book you edited?

JV: The very first single issue I edited was "Swamp Thing" #7 (the most recent run of Swamp Thing, that is). And I was stupidly lucky in that I got to work with the legendary Richard Corben -- one of my favorite artists since I was a kid! On my very first issue!

The first series that I edited from issue #1 was "The Exterminators." It lasted 30 issues and is still one of my favorites, mainly because Simon Oliver's scripts made me laugh every time. And the various artists who worked on the book -- primarily Tony Moore, with fill-ins from Darick Robertson, Mike Hawthorne, John Lucas and Chris Samnee -- always brought out Simon's twisted humor and made it even more hilarious. Or at least more twisted. Philip Bond's covers may have been the funniest of all. His cover to #3 still cracks me up. Who doesn't like cockroaches in their cereal?

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But I suppose the first book I worked on was the graphic novel "The Quitter" by Harvey Pekar with art by Dean Haspiel. I pitched the idea of working with Harvey Pekar to Karen the second day I was on the job here in 2004. That makes it officially the first -- even though the final product bore very little resemblance to what we talked about that day.

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PM:Thanks Jonathan!

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