Mike Carey and Peter Gross: Books full of lies, and why we like them

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The highly anticipated publication of the latest Tommy Taylor novel is about to take place in the pages of THE UNWRITTEN Vol 3. Said to be written by the--long missing and believed dead--author Wilson Taylor, the novel just may not be what it’s believed to be. I asked Mike Carey and Peter Gross to discuss their inspiration for this storyline and here’s what they had to say:

There’s a long and noble tradition of fake books – which is to say, books that aren’t at all what they claim to be, and haven’t even been written by the author they’re ascribed to. They’re kind of self-indulgent, but kind of fun, too: metatextual mind-games played out in an imaginary universe at one remove from the fictions we already love. Mostly they’re written either as a homage or as a thought-experiment along the lines of “what if X had written Y”?

In the Dead Man’s Knock arc of The Unwritten, we raise the possibility of a fake Tommy Taylor novel, written not from these innocent motives but as part of an attempt to hijack and sabotage Wilson Taylor’s literary legacy – which in turn is a way of a broader plot against his son, Tom Taylor.

So we had these stories in mind when we wrote ours:

Venus on the Half-Shell, by Kilgore Trout

Kilgore Trout is of course the fictional sci-fi author who turns up regularly in the novels of Kurt Vonnegut. Vonnegut often illustrates a point or flags up a theme by using the device “Kilgore Trout wrote a story about…” But Trout is kind of a tragic figure: whereas his creator achieved mainstream success, Trout continued to be trapped at the lowest end of the genre ghetto, his stories mostly published by porn publishers who want something to leaven out the photos in their magazines.

This purported Trout novel was actually written by Philip Jose Farmer, and sadly, he falls into the pretty basic error of putting in some smut. Vonnegut emphasized again and again that despite their provenance, Trout’s stories never contained sexual references. The book is also full of pretty uninspired in-jokes, for example giving minor characters names which are anagrams of the names of other science fiction writers. Farmer then went on to copy the “Kilgore Trout wrote a story about…” device in Stations of the Nightmare, using his own fictional creation, Leo Tincrowdor – then got high on pseudonyms and wrote a novel as Dr. Watson. So yeah, better in the idea than in the execution: but the idea was pretty cool.

The Iron Dream, by Adolf Hitler

“Adolf Hitler’s lost science fiction masterpiece”, actually written by Norman Spinrad. The Iron Dream is actually the title of the collection as a whole: Hitler’s novel, reprinted (ahem) in full, is called Lord of the Swastika. It’s dreadful, but then what would you expect from a mad dictator? What’s brilliant, though, is the critical essay published alongside Lord of the Swastika, which subjects the work to a rigorous analysis.

Pierre Menard, Author of the Quixote

This is a short story by Jorge Luis Borges, in which he imagines a modern author deliberately immersing himself in the history and culture of seventeenth-century Spain so that he can reproduce, verbatim, the whole of Cervantes’ Don Quixote. He’s not aiming to rewrite the book from memory: far from it. He’s tried to forget everything he ever knew about the original. He wants to write it from scratch, by aligning his own world view with that of Miguel de Cervantes.

The Library of Dream

In Neil Gaiman’s The Sandman, the realm of Morpheus includes a library, where all the books only ever written in dreams are stored. They include alternate versions of many familiar books from the waking world, as well as a near-infinite number of completely original works.

The Necronomicon

H.P. Lovecraft’s evil grimoire has developed a life beyond outside of Lovecraft’s books. There have been several versions of it published and it’s often mentioned in other authors’ works.

William Ashbless

While in college, future authors Tim Powers and James Blaylock created a fictional poet named William Ashbless and submitted his poetry to the campus magazine. Then they started quoting him and featuring him in their books, Powers used him prominently in one of our favorite novels, The Anubis Gates. There’s even a couple of works by Ashbless on sale at Amazon.

Non-Fiction Hoaxes

There’s an even longer history of fiction passing itself off as real--probably more than we know! More than a few journalists have been exposed for making up their stories and autobiographies have turned out to be completely concocted. Here’s a list of some great hoaxes.

--Mike & Peter

THE UNWRITTEN Method by Peter Gross

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THE UNWRITTEN is an incredibly unique book. There "real" world scenes and scenes from the Tommy Taylor novels, there are TV news broadcasts and online chats, and so much more. All of these moments, which can be very complicated, are depicted seamlessly both in prose and visually, so I asked ongoing series artist Peter Gross what the secret is. And here's what Peter had to say:

I’m going to use the occasion of the release of Dead Man’s Knock: Volume 3 of The Unwritten to talk a bit about how we work on The Unwritten, and what an unusual sort of comic experience it is for all of us involved.

From reading reviews online and talking to readers at conventions I’ve heard a lot of questions about how Mike and I work on the book--partly because readers assume the writer comes up with the ideas, and partly because we are intentionally vague in the credits--usually listing Mike Carey and Peter Gross, script-story-art. We thought that might do the trick but the reality is that the Unwritten is a very unique series and hard to pin down. So here’s my take on The Unwritten method...

Mike and I create the story together on a pretty much 50/50 basis. It’s a fluid process filled with lots of discussion, straying off into interesting territory and filled with lots of trans-Atlantic “Eureka!” moments——many that don’t make the final cut (you wouldn’t believe some of those ideas!). But when we’re satisfied, Mike goes off and writes a first draft of the script, then we have even more discussions, change some things, nail down everything we want to be there, and discuss it with our editors (Pornsak Pichetshote until issue 24 and now Karen Berger and Joe Hughes). After that, Mike writes a 2nd and generally final draft, and I’ll go to layouts. I make notes and change some things as I go, usually emailing Mike all along that process. When the layouts are done we finalize all my questions and then get the inks done. After it’s lettered, we have another discussion to make sure it all flows, Mike tweaks the script, revisions are made while the book is being colored, and then we’re done (except for all the last minute errors we all missed but someone seems to find just before the book goes to press). And by that time were knee-deep in the process for the next issue.

So Mike does write every word--but Mike and I plot the book together--and the editorial department tries to keep us in check.

And while I’m revealing our working methods, I have a confession to make——I don’t draw the book completely by myself! When I do the inks on an issue, I have help. Barb Guttman and Brittney Sabo are the two fine artists who assist me. They help draw backgrounds and finish inks, and generally go hunting for the copious amount of reference we need each day. Kudos to them for helping The Unwritten to arrive on time!

On the issues I don’t ink (like the Choose Your Own Adventure type story in Volume 3) we get a finisher to do the inks on the book. What that means is I do really loose pencils and then I get a great artist/inker to “finish” those pages. We’re trying to do this in a way that adds dimension to the book and we want the look to be wildly different and reflect each artist and story. In V2 we had Jimmy Broxton on the Nazi arc, and Kurt Huggins and Zelda Devon do the wildly different Willowbanks Tales, featuring the now famous foul-mouthed bunny, Pauly Bruckner. In Volume 3 we have the great Ryan Kelly, and in the next trade we’ll have Vince Locke and Al Davison. I love seeing these different artistic styles over the skeleton I give them and it works out fabulously for the subject matter of the Unwritten.

And the rest of the team can’t be spared from these creative revelations...

Todd Klein doesn’t do every bit of lettering! I feel guilty over all the work involved in the media type pages we do so I don’t make Todd letter them. Instead we do them in my studio, and poor Barb spends hours and hours on them. And in the crazy acid trip section of V3 where letters are swirling about in the foreground and background I did them on my ipad with a great little program called TypeDrawing. So don’t blame Todd if you don’t like those pages!

Chris Chuckry doesn’t color the book completely by himself! My wife, and great artist, Jeanne McGee does the watercolors for the Tommy Taylor world pages and some of the other “fictional world” pages early in the series--although we’ve gotten a bit away from the Tommy Taylor pages as we go. So, of late, it’s been all Chris, all the time...

Yuko Shimizu does do the covers all by herself! The only person on The Unwritten who seems to be completely self-reliant is Yuko——though I don't know how she manages it on a regular basis. One of my great happy Unwritten moments each month is seeing her cover sketch ideas, and always having a hard time deciding which one is the best, since they all look so good! So the only revelation I can give you is that despite what some of you seem to believe, our Yuko is not the Yuko Shimizu who invented Hello Kitty!

Let’s face it, this book is just too demanding for the usual methods and everyone involved has been a great sport at being flexible and giving their best work and I think it really shows in the end product. I know we’ve asked a lot of our team and they’ve all come through time and time again, and this wouldn’t be such a great book without them.

I know that for Mike and I, The Unwritten is a labor of love for storytelling and the comics medium, and there’s great stuff coming down The Unwritten road.

-Peter

Mike Carey Talks Dead Man’s Knock and the Magic Doorknob

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One of the most startling things for me when I’m working on The Unwritten is how quickly we seem to get to climactic events that we always knew we’d include but didn’t have a fixed schedule for. The events of Dead Man’s Knock are a case in point. Killing a major character so early in the game seems crazy, on the face of it, but the more Peter and I talked about it, the more sense it seemed to make. And the title is a subtle clue as to why.

When I was about nine years old, my brother Chris gave me a book of poetry he bought in a library sale. It was called Classic Poems for Children, and it was full of slightly weird, slightly sinister stuff that had been considered suitable for kids in an age when the concept of psychological trauma didn’t exist.

In among the rest – Struwwelpeter, The Pied Piper, The Listeners – was a poem called The hand of Glory, ostensibly by Thomas Ingoldsby (but really by a slightly crazed English cleric named Richard Harris Barham). The poem tells of three cut-throats who mount a raid on a rich man’s house in the middle of the night, aiming to rob and murder him. They’ve armed themselves with the hand of a dead man cut down from a gibbet, which – after suitable magics have been performed on it – has the ability to open any door. You knock on the door with the dead man’s hand, and it just flies open, no matter how many locks or bolts are on it. I’d forgotten most of the poem, but a few lines stayed with me:

'Now open lock
To the Dead Man's knock!
Fly bolt, and bar, and band!
Nor move, nor swerve
Joint, muscle, or nerve,
At the spell of the Dead Man's hand!
Sleep all who sleep!— Wake all who wake!—
But be as the Dead for the Dead Man's sake!!'

Tommy Taylor’s magic doorknob probably owes its existence to those lines – but more important is the idea of a power that only comes into its own when the person who forges and wields it is dead. So yeah, that went into the mix for volume 3 of The Unwritten. It’s a lot cheaper than going to a therapist…

THE UNWRITTEN--first look at the cover of issue #25

THE UNWRITTEN continues to garner rave reviews. This week IGN gives issue #22 a 9.0 Amazing rating and MTV GEEK talks with writer Mike Carey.

In issue #25, the new storyline “Citizen Taylor” begins. Back in the real world at last, Tom follows Lizzie and Savoy to New York and to the auction house of Christian Bolinbroke. Lots #1 to 200? The worldly goods of Wilson Taylor. And the only thing more dangerous than the other bidders is the auctioneer himself.

THE UNWRITTEN #25, by Mike Carey and artist Peter Gross with cover by Yuko Shimizu, goes on sale this May.

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THE UNWRITTEN Heads To Sea

The literary adventure continues. Caught in the novel Moby Dick, Tom finds himself swallowed up in the belly of a whale with characters from other famous stories who’ve wound up in the same predicament.

Here's a sketch from the last page of issue #22 by Peter Gross. Can you tell from the outlines who’s who? Hint: One of them is that kid whose nose grows when he lies.

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Reading the lists and checking 'em twice

It’s the end of the year and, if you’re like me this year, that means there’s still some last minute shopping to be done. Need help seeking out the perfect gift for your comic book loving friends and family? Just check out the latest and greatest best of 2010 lists...

USA TODAY 's list of Essential 2010 Graphic Novels recommends some top notch DC books like WEDNESDAY COMICS, A GOD SOMEWHERE, BATGIRL: BATGIRL RISING, and THE UNWRITTEN. FRESH INK’s Best of 2010 list includes ABSOLUTE ALL-STAR SUPERMAN, BATWOMAN: ELEGY, SCALPED, and DAYTRIPPER. Finally, TECHLAND’s Ten Best Comic Books of 2010 and Best Graphic Novels of 2010 salute ACTION COMICS, DAYTRIPPER, BATMAN AND ROBIN and HOW TO UNDERSTAND ISRAEL IN 60 DAYS OR LESS.

Give the gift of comics this year.

THE UNWRITTEN goes digital? And more!

Now, with yesterday's great news about the DC Digital Store I wanted to let you know that THE UNWRITTEN Volume 1 (issues 1-5) is just one of the terrific Vertigo titles available. So if you haven't given this fantastic series a chance yet, just click and read in preparation of all the great stories to come!

For those of you awaiting the next volume collecting issues 13-18, Volume #3 Dead Man’s Knock is out in March!

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And check out this amazing cover by Yuko Shimizu for THE UNWRITTEN #22!

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THE UNWRITTEN #18

Following the amazing "The Lives of Lizzie Hexam: A Choose-a-Story adventure” issue Mike Carey and Peter Gross continue to unravel a tale of power plays and double-bluffs that takes readers into the inner council of Tom's enemies. Uncover their dark past and violent present. How did the 14th book get hijacked? Why is Tom still alive? And whose head is going to roll for it?

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