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On The Ledge: With Mat Johnson, author of RIGHT STATE

 

When I was ten, I was walking through Center City Philadelphia with my mother, trying to make our way to the trains at Suburban Station and head home to Germantown. It was something we did every day, but this day was different: police officers lining the streets, barriers put up at intersections, large cranes looming above, massive trailers parked on the sidewalk.

 

“They're filming a movie,” my mother told me. It was such an odd thought, that the world that I watched on my black-and-white TV every night actually be based on my physical landscape. We sat in the crowd on the corner and waited for a scene to take place. A lady next to us said that a car would come speeding down the street and turn the corner. And that's what happened.

 

My mom took me to see the movie, Blowout. It was a political thriller starring a young TV star, John Travolta. I didn't understand most of it—I was 10—but I saw that scene that I had witnessed firsthand. It took 5 seconds. A car showed up, it turned a corner, and the movie moved on. Such a simple, pointless moment, but for me the act of taking down the thin membrane between fiction and reality was momentous.

 

The 1970s was the landscape of my childhood, but it was also the landscape of the Vietnam War, Watergate, rising gas prices, hostages in Iran, and the foundations of the cultural wars that are still raging in America today. Storytelling genres reflect the needs of their times, and the political anxiety of that moment translated into a slew of political films: Day of the Jackal, Three Days of the Condor, All the President’s Men. They spoke to their era. And with that tradition in mind, I created RIGHT STATE to speak to ours.

 

The art for RIGHT STATE comes from a crazy little Italian redhead who can create an image the way a Titan could create a sword: Andrea Mutti. He made this story come alive, with a realistic intensity that makes me look like a better storyteller than I am.

 

As a writer, I'm always looking for ways to explore the themes of the day in stories that are interesting and engaging and can run with the ideas of the moment. With RIGHT STATE, we take the genre into the modern era, something that speaks to the intense societal anxieties of our age. Creating RIGHT STATE was a joy and a thrill, and I hope the experience is the same for its readers.

 

Announcing RIGHT STATE, a new original graphic novel by Mat Johnson

RIGHT STATE is a race-against-time political thriller that explodes beyond the boundaries of genre to explore the meanings of race, class and identity in America, written by Mat Johnson with art by Andrea Mutti (THE EXECUTOR). Johnson is the recipient of the United States Artist James Baldwin Fellowship, The Hurston/Wright Legacy Award, and the Thomas J. Watson Fellowship and author of the acclaimed graphic novels INCOGNEGRO and DARK RAIN as well as the recently published novel Pym among others.

In the week leading up to a major campaign speech, the Secret Service discovers that an extremist militia group is plotting to assassinate America’s second African American President. The best chance to avert this crisis is to infiltrate the group. RIGHT STATE follows an ex Special Forces commando turned conservative media pundit, who takes the assignment and goes undercover. What follows is an adrenaline fueled race against time to stop a President from dying and a country from being ripped apart.

A blend of shattering social and political commentary with a page-turning story, RIGHT STATE will be in stores in August 2012, just in time for the fall 2012 election.

CUBA and DARK RAIN in Miami

Inverna Lockpez and Dean Haspiel (CUBA: MY REVOLUTION) along with Mat Johnson (DARK RAIN: A NEW ORLEAN'S STORY) attended the 2010 Miami Book Fair International. All appeared on Comix Galaxy panels. In case you couldn't make it, check out some fun photos of their experience:

Author Inverna Lockpez & artist Dean Haspiel with editor Joan Hilty

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CUBA: MY REVOLUTION art exhibit:

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Inverna and Dean taping NPR's TELL ME MORE:

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Author Mat Johnson and artist Dean Haspiel:

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Mat Johnson on the Graphic Noir panel with Kody Chamberlain & Josh Fialkov:

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The outdoor booths:

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Vertigo Graphic Connection: DARK RAIN

A crime thriller set in the days before, during, and following hurricane Katrina, DARK RAIN: A New Orleans Story by Mat Johnson and artist Simon Gane is on sale in comic book stores now and will be available at bookstores tomorrow.

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Here's what the critics are saying:

"Alternately funny and moving, but always focused on a very sharp but simple story. . . . More than a couple of moments . . . almost brought tears to my eyes. In the end the book is very optimistic, offering hope to those who choose to do the right thing." -HUFFINGTON POST

“Johnson's masterful tale of loss and redemption is a real treat. Read and savor it before some sharp Hollywood producer makes a movie out of this rich gumbo of characters whose humanity and dignity fuel their fight for survival. Gane's deceptively lithe art captures action and emotion with wit, grit and grace.”
THE MIAMI HERALD

"Captures images of Katrina more vividly than CNN dared at the time. . . . DARK RAIN is the story of two men fighting the elements and their own past. Much more than the story of a bank heist, DARK RAIN is a 21st century parable told in words and pictures.” –CRIMESPREE Magazine

“A pretty ripping heist/caper story. . . . A really well-crafted story. This is a movie waiting to happen. . . Simon Gane’s art captures both the majesty and little moments that a great director might.” –UNDER THE RADAR

"After reading DARK RAIN, I can honestly say that Mat Johnson has become one of my favorite comics writers. INCOGNEGRO wowed me a couple of years ago, and DARK RAIN is equally impressive. ... Johnson draws both the good and bad of the post-Katrina landscape in his characters, while Simon Gane's pen and ink artwork enhances the story without ever overpowering it." -LARGEHEARTED BOY

"DARK RAIN manages to entertain and inform about the human condition -- it's a well-grounded look at the different ways humans react to situations. Simon Gane's art is a perfect accompaniment to Mat Johnson's tale." –WESTWORD (Denver)

And THE RALEIGH NEWS & OBSERVER features and interview with Simon and Mat. Read it here.

Simon Gane on the art of DARK RAIN

CAUTION: SPOILERS AHEAD!

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To mark the publication of Dark Rain: A New Orleans Story I’m going to talk about the various stages behind completing a page of artwork for it. I’m focusing on page 117.

SCRIPT

I’d love to talk to you about how scripts come about but I’m baffled and in awe. Reading Mat Johnson’s script was far and away the most enjoyable part of the process for me! Those of us already familiar with his oeuvre know he’s got a lot to say and that he’s direct and succinct enough to know when to think visually too. Page 117 happens to be silent but it still requires staging. Perhaps more than a ballooned page, since there is no dialogue to carry the action.. Here’s what he wrote:

117.1
Dabny puts on his scuba mask. He carries his welding equipment in a bag.
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Dabny is swimming through the dirty water. We see him from the vantage point of the water. Beneath him is a ton of refuse from the storm.
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Dabny gets to the window of the bank. It’s covered in an old-style metal grate.
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Dabny, his welding materials out, burns at the grate.

THUMBNAILING

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In articles such as this, comic book artists always say that this is the key part of the drawing process. They say this because it’s true. It’s when most of the decisions are made - the general staging, pacing, facial expressions, body language, allowing room for the text etc etc - and thus of the utmost importance to editors. If you’re on the wrong track they can intercept now rather than after time has been wasted. That said, I still try to be as vague as I’m allowed in order to buy myself time! Some artist’s will produce tighter thumbnails, but for me they represent an earlier stage - initial thoughts, if you will. Being faced with an entire script - particularly a 160 page one - can be daunting, but thumbnailing is the point at which you put it into perspective, where you can tackle one page at a time. In the case of this one, editor Jon Vankin asked me to consider a more dynamic pose in panel 2 and encouraged me to feature more of the objects such as the mailbox to heighten the sense that this was a street corner that should not, of course, be underwater.

PENCILING

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Once I had the go ahead to start penciling I needed reference material. I took a lot of photos on my trip to New Orleans - both of locations I knew I’d need and background details I felt might come in handy. “You can’t make this shit up!” to paraphrase R. Crumb. Note that I amended panel 3 to incorporate the ATM and included the trash can with it’s Fleur de Lis design, unique to Nola. I also needed help with the scuba gear and underwater welding equipment and got that thanks to the internet. To get a feel for how the hands would look in panel 1 I photographed myself, complete with diving mask. I accidentally answered the door to the postman with it still on the top of my head which wasn’t my finest hour, especially as he didn’t mention it.

INKING

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I penciled Dark Rain quite tightly on the whole. This was my first time inking a Vertigo project and my first time inking with a brush so I wanted to get as much as the decision-making out of the way to ensure that it was as stress-free a part of the process as possible! I also felt it would help me keep the artwork as crisp and uncluttered as possible.

LETTERING & TONING

Once the page is scanned, dropped onto it’s template and uploaded to the DC server, my job is done. It’s now over to letterer Pat Brosseau (off the hook for this page!) and toner/colorist Lee Loughridge to work their magic, and here’s the page after Lee’s done just that:

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I was thrilled with his work on this book; he got a marvelous range from just the gray and blue color and used them with real purpose. Note the different background color in panel 1 to differentiate it from the underwater scene, the strongly lit face and mask in panel 4 and how he changes the color of the keylines for the bubbles and sparks. You might also notice that an additional amendment was required in panel 2 for legal reasons - the wording on the newspaper vending machine.

Okay, thank you if you read this far! Thank you also to all at DC/Vertigo, not least my editors Jon and Sarah and thank you Mat, for involving me in a project I’ve felt so passionately about.

To see more pages from DARK RAIN click here.

Editor Jonathan Vankin talks DARK RAIN

DARK RAIN: A NEW ORLEANS STORY, Vertigo’s new graphic novel, hit stores yesterday, just a couple of weeks shy of five years since Hurricane Katrina hit New Orleans.

So, I had this whole, big angry diatribe about Katrina planned here, but the more I thought about DARK RAIN, the more sense it made to just skip the preaching. I’m sure you’re all very disappointed. But that sort of thing really isn’t what this book, written by Mat Johnson with art by Simon Gane, is about.

So what is DARK RAIN actually about? Well, it’s a story about a bank heist, yes. It’s a race-against-time crime thriller, sure.

But it’s really about people who could easily be you or me. Save for a tough break here and there. It’s about their hopes, their pain and joy, their dignity.

So just as Mat and Simon’s story pays tribute not only to the spirit of the human beings who endured Katrina, but to the human spirit itself, I’d like to pay my own small tribute to the people who bring you this book.

Of course, it all starts with Mat. Since he wrote INCOGNEGRO, he and I had been looking for a new graphic novel to work on together. Mat’s never short of good ideas, but when he sent me a brief proposal, at the time titled “Congo Square” (after the New Orleans location often thought of as the birthplace of African-American music), I knew we’d found the one. Just the concept hooked me: two guys desperate to get in to New Orleans at the same time everyone else is desperate to get out.

To bring Mat’s story to the page, we needed an artist who understood that the city of New Orleans was as much a character in this story (now titled DARK RAIN) as the characters themselves. Simon Gane jumped to mind quickly. When Simon drew an earlier Vertigo series called “The Vinyl Underground,” he brought a moody realism and depth to the city of London. That was the quality I was looking for. But Simon is, himself, English. Could he do for a uniquely American city like New Orleans what he’d done for London?

He allayed my concerns when he volunteered to fly to New Orleans and experience it for himself. And he did. And it shows.

Mat and Simon had some brilliant collaborators. Lee Loughridge gave extra depth and dimension to Simon’s artwork with gray tones and (at the inspired suggestion of Karen Berger) blue tones as well. This is a book about water after all. Pat Brosseau lettered the book with the same flair that he’s brought to such Vertigo books as THE QUITTER, THE ALCOHOLIC and THE EXTERMINATORS. Finally, Art Director Louis Prandi and Cover Designer Nessim Higson and fashioned a book jacket that evokes the perfect sense of foreboding, desperation and hope conveyed by Mat’s writing and Simon’s art. And Vertigo's own Sarah Litt kept the whole operation running on schedule, among many other crucial tasks.

Not unlike what it took (and continues to take) to bring New Orleans back, it took a community of people to bring this book to you.

Somewhere along the line, there may even have been an editor involved.

So there you go. 100 percent diatribe-free. As it should be, because the book that Mat, Simon and the rest of the crew have created will stand on its own, on this fifth anniversary of Hurricane Katrina and for much longer, as a reminder that we can never give up the hope that exists inside us all, even in the most desperate days.

DARK RAIN “On the Ledge” by Mat Johnson

I wrote Dark Rain during a hurricane called “Ike,” evacuated to Austin, TX, awash in uncertainty and memories of Katrina just three years earlier. I live in Houston, TX, on the Gulf Coast, which is basically a bowling alley for hurricanes every summer. That’s just our reality.

I spent Hurricane Katrina like a lot of people, at home, watching it unfold on the cable news. Afterwards, I heard a lot of talk about the future of New Orleans and the Gulf Coast, and there were those who seemed to think the area wasn’t worth the cost of saving it, that America should just cut New Orleans loose as if it were a withered branch. I heard many different types of people say this but they all had one thing in common. They’d never truly been there. The purpose of Dark Rain, for me, was to change that.

Artist Simon Gane breathed life into Dark Rain with his amazing illustration style. He also brought himself all the way over from Bath, England to see NOLA up close, and I joined him, driving the same path from Houston that our lead characters, Emmit and Dabny, try to take on their way to pull off a bank heist that they hope will give them each a second chance in life.

Together Simon and I cruised around the city, stopping my car to take the pictures that would become Dark Rain’s landscape. We also made sure, in the spirit of things, that reproduced Emmit and Dabny’s drunken bar scene with an eye for accuracy. (NOTE: Midwestern heiresses really go for a guy with a British accent!)

Today’s America has become strikingly uniform. From California to New Jersey, Michigan to Mississippi, nearly identical streets are lined with the same stores, the same food, the same music, and the same lack of soul. What Simon Gane captured is that New Orleans is one of the last places in America that is truly unique, that is both rich in history and culture and yet fully alive today. It is not expendable. It is treasure. And if we lose New Orleans, we lose an essential part of America.

And that’s why I wanted to tell this story, a story about keeping hope in a hopeless situation, about taking action when action seems futile. My hope is that Dark Rain will help us never to forget the battle that America fought during that week in August, 2005. A battle not against wind and water, but for our soul.

--Mat Johnson

Authors Praise DARK RAIN: A New Orleans Story

People are talking about DARK RAIN: A New Orleans Story an original graphic novel by Mat Johnson (Incognegro) and artist Simon Gane, on sale this August. Check out the preview, previously posted here, on Graphic Content.

“Mat Johnson’s unflinching, macabre sense of humor is perfectly in tune with New Orleans, and Simon Gane’s eye for character and detail brings the region in all its glory and degradation to vivid life.”
Josh Neufeld, writer/artist of the New York Times bestseller A.D.: New Orleans After the Deluge

“DARK RAIN has the twists of The Treasure Of the Sierra Madre, the political punch of When The Levees Broke and the character interplay of The Defiant Ones. Mat Johnson’s unique voice holds the whole thing together and makes it fresh and new.”
Reginald Hudlin writer of Black Panther, director of Boomerang

“Part political novel, part heist tale, part love story, DARK RAIN is a stiff cocktail that will knock you down and set you up. Mat Johnson’s ability to use the medium of the graphic novel to create powerful blunt objects, modern myths, that carry on coded conversations with an immense array of cultural artifacts ranging from the literary to the cinematic is second to none.”
Alice Randall, New York Times bestselling author of author of The Wind Done Gone and Rebel Yell

“At once heart-stopping and heartbreaking, DARK RAIN shows us what happens when good people avert their eyes as crimes are committed and then rationalize what they've done. Mat Johnson as always displays his deft and savage touch in injecting humanity into history.”
Mark Winegardner, New York Times bestselling author of The Godfather Returns

DARK RAIN by Mat Johnson and artist Simon Gane: Sneak Peek

Back in 2008 Vertigo published INCOGNEGRO by Mat Johnson. This is one of the first books I worked on here at Vertigo. It received much acclaim including a NEW YORK TIMES daily review which called it an “engrossing graphic novel, with its smart dialogue and sharp images.”

This summer Mat is back with DARK RAIN: A New Orleans Story on sale in August. It’s an uncompromising look at the life and death of the American city. Mat uses the setting of New Orleans and the aftermath of hurricane Katrina intertwined with a suspenseful bank heist to explore social issues with a page-turning plot.

Editor, Jonathan Vankin posted a great piece about the book with a sneak peek at some interior pages by artist Simon Gane here on Graphic Content.

And now, here’s a look at two final interior pages:

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From the Editor's Desk: Jonathan Vankin

If you read last year's Vertigo graphic novel INCOGNEGRO (and if you didn't, it's out in paperback now, so what's your excuse?) you know Mat Johnson. I've known Mat since 2004. I met him just a month or so after I'd settled into my then-new position here at Vertigo.

An award-winning novelist, Mat had a gift for page-turning suspense, macabre humor and shattering social commentary. But could he bring those qualities to comics? He gave his first answer with PAPA MIDNITE, a Hellblazer spinoff reimagining the eponymous Constantine nemesis as the instigator of a New York slave rebellion circa 1740.

Next, Mat produced INCOGNEGRO, a twisty-turny noir mystery that explores race and identity in a way that, though the story's set in the 1930s, could not be more timely today.

Now Mat's written his third, and most challenging, Vertigo book. DARK RAIN: A GRAPHIC NOVEL OF KATRINA reaches stores one year from now, the fifth "anniversary" of the disaster that almost wiped out a great city.

DARK RAIN is a race-against-time thriller about two desperate-for-a-break ex-cons who get the bright idea, as New Orleans lies underwater, that now would be a pretty good time to rob a bank. Unfortunately, the bank is in central New Orleans and they're on parole in a Houston halfway house. So while every sane person is racing to get out, our guys Emmit and Dabny set off on a mission to get in. Or die trying.

DARK RAIN is not only a nail-biting adventure driven by the hilarious and tragic friendship of Emmit and Dabny. It's a story of American survival and the meaning of personal commitment, a document of a terrible tipping point in recent history. In short, it's exactly the type of book I want to work on.

New Orleans is a character in DARK RAIN as much as Emmit and Dabny. We needed an artist who could bring the city to life. We found Simon Gane, whose work on Vertigo's THE VINYL UNDERGROUND took you straight to London better than Virgin Atlantic. I don't need to tell you what Simon's doing for New Orleans. Just take a look.

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Together, Mat and Simon are crafting what, in the opinion of your humble typist, will be received as one of 2010's most important and exciting works of graphic fiction--a journey deep into the American heart of darkness.

--- Jonathan Vankin

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