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From the Editor’s Desk: Jonathan Vankin

When you’re a big-time comic book editor, such as myself, you get to know more about the writers and artists you work with than you ever thought you would. A lot more. That’s because this job is kind of a cross between high school basketball coach and psychotherapist. The creative existence isn’t easy, especially when you’re relying on it to pay your rent. It attracts a lot of insecure, needy people. (Trust me -- I am one.) The people who get into it without being insecure and needy, become so in short order.
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